A series of watercolor studies of vases by the Swedish artist, printed in risography.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

A collective manifesto for feminist art schools.

An essay on the new challenges facing exhibition curators.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Four excerpts from a duo concert by Arthur Clees (drums) and Jan Jelinek (live electronics).

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

A dialogue between architectural history and design, in homage to Le Corbusier's theoretical vision behind the construction of the Villa Baizeau in Carthage.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

This first issue of e-flux 's bimonthly publishing project presents the pieces published by e-flux in December 2023 and January 2024. The metadata gives some indication of its breadth, spanning 48 pieces, 52 authors, and over 150,000 words. Following its wider editorial ambitions to co-articulate multiple discourses, the Index removes the identity cards anchoring these pieces to their original provenance, and instead "meta-edits" them into nine emergent thematic strands.

Two monumental pieces for flutes and additional voices.

The best of 2023: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

A collective reflection on the landscape as an ever-changing social, economic, and ecological construct, addressing questions of power, identity, and natural resources (contributions by T. J. Demos, Tiago Torres-Campos, Tiffany Kaewen Dang, Hagit Keysar and Ariel Caine, Teresa Mendes Flores, Chris Malcolm, Irmgard Emmelhainz...)

The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.

Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

Classic DAUU 1995 debut album, first time on vinyl.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

The penultimate Blank Forms anthology presents new, in-depth interviews with musicians Theo Parrish, Amelia Cuni, Akio Suzuki, and more.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

Archivio n°9, the first issue of the third editorial cycle, is entirely dedicated to fashion and its history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.

A large retrospective of the Swiss cult photographer's work over two decades.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

The fourth issue of the annual graphic design journal, dedicated to image and print techniques, with Atelier Murr, Atelier National de Recherche Typographique, Juanma Gomez, Julien Van Anholt, Alexis Dandreis, Sébastien Esteban Desplat, Amélie Dumont, Les Artisans du Regard, Maximage, Fraser Muggeridge, Our Polite Society, Éloïsa Perez, La Perruque, Roman Seban.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

Noviadi Angkasapura frenetically covers paper and bits of cardboard packaging with felt-tip pens, ballpoint pens and pencils, haunting them with the magic of spirits.