Spring / summer issue of the French magazine dedicated to contemporary art, photography, and fashion, edited by Guillaume de Sardes: “writers and photographers”—a special feature with Maxime Du Camp, Claude Simon, Hervé Guibert, Denis Roche, Jacques Henric, and Alain Fleischer; artistic journeys in China; portraits and interviews, photo creations…

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

Collection of artists' writings on video art, which revisits and reevaluates the early days of the practice, from 1970 to 1990. Including AA Bronson, Peter Campus, Antoni Muntadas, Nam June Paik, Martha Rosler, Bill Viola, and much more.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The first English translation of Viktor Shklovsky's children book Journey to the Land of Movies, originally published in 1926 in Russian.

Limited edition, accompanied with an exclusive Toilet Paper satin scarf.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

A musical anthology gathering a collection of recordings featuring traditional instruments from Asia and Oceania—from New Zealand to the Philippines, from India to Burma.

An anthology of original recordings from Java, Sumatra, and Bali: a collection of ecstatic and hypnotic sounds, featuring a large panel of musical influences and traditional instruments that represent Indonesia's large heritage of profound cultural differences.

A two-record album of 21 original sound works by artists who exhibited at the Ronald Feldman Gallery in New York—including Eleanor Antin, Joseph Beuys, Chris Burden, Terry Fox, William Burroughs…

Originally released in 1979 on the experimental label Cramps, I Fiori del Sole is a composition for organ and piano by the Italian duo Michele Fedrigotti and Danilo Lorenzini. This is the first vinyl reissue ever.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

A non-hierarchical selection of photographic works created over the past ten years by the Iranian artist (catalogue).

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees.

This first volume gathers traditional music from different areas of the Indonesian archipelago, featuring music from Sulawesi, The Moluccas Islands (Spice Islands) and Central Java.

This second volume dedicated to traditional music from the Indonesian archipelago covers music from the vast island of Sumatra (West Indonesia), The Moluccas Islands and the island of Bali.

Produced in conjunction with two exhibitions, this monograph offers a rich critical overview of Parreno's work, with essays by Cyril Béghin, Molly Nesbit, Brian O'Doherty and Adam Thirlwell, and two interviews with Hans Ulrich Obrist and Andrea Lissoni. An invaluable research tool for studying one of the most influential and charismatic figures on the contemporary art scene.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

Italian electroacoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album. Captured live over the course of a four days improvised session, the album floats between ghostly melodies, musique concrète, and analog electronics.

This double LP includes four unreleased selections from Fox's eponymous sound performance based on the great pavement labyrinth at Chartres Cathedral—which the artist saw as a metaphor for his own life in between health and sickness.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

A special issue dedicated to John Giorno, in the framework of Ugo Rondinone's exhibition “I Love John Giorno” in New York.

A strip of buildings illustrated with watercolor and pencil, in line with the Irish illustrator's interests in architecture and the city (leporello).

Anthology of urban and tribal music from the late Ethiopian Empire, first issued in 1971. Presented as two volumes—vol. 1, Mindanoo Mistiru (“What is the Unknown?”), and vol. 2, Gold from Wax (referring to the two layers of meaning in Amharic poetry)—these recordings covers over 70 languages and 200 dialects. Recorded by Ragnar Johnson and Ralph Harrisson.

Anthology of urban and tribal music from the late Ethiopian Empire, first issued in 1971. Presented as two volumes—vol. 1, Mindanoo Mistiru (“What is the Unknown?”), and vol. 2, Gold from Wax (referring to the two layers of meaning in Amharic poetry)—these recordings covers over 70 languages and 200 dialects. Recorded by Ragnar Johnson and Ralph Harrisson.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

Since 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including Horse Day, his first project in the USA.

Catalogue of the first European retrospective dedicated to a major figure in Japanese contemporary art. Situations focuses on Suga's entire career, among the prime movers of 1960s group Mono-ha, and documenting over twenty of his installations, dating from 1969 to the present.

This artist's book compiles true propaganda photographs of the Third Reich with stills from actors playing Nazis in Hollywood movies: a radical commentary on our alarming present condition, in which the lines between populist and fascistic politics are increasingly blurring.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

The second issue of the French magazine dedicated to jazz and experimental music. Featuring: John Stevens, Bertrand Denzler, Piero Manzoni, Michel Henritzi, Ignaz Schick, Arthur Doyle's Nature Boy, contributions by David Toop, Luc Bouquet, Pierre Cécile, Philippe Robert, Guillaume Tarche, Guillaume Belhomme, and more than 60 reviews.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

Choreographer Catherine Contour is a pioneer in the use of hypnosis within the creation process. This monograph features photographic documentation, short essays by specialists, an a small illustrated manual for artists to experiment with the hypnotic tool.

This publication presents a photographic project by Andrea Pertoldeo which consists of a series of full-length portraits of immigrants working on industrial sites in the desert of Bahrain. Images of landscape and labour coincide in order to reveal aspects of the construction of contemporary society. Featuring four texts by artists and scholars.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.