Collection Clémence and Didier Krzentowski (new, revised, and expanded edition in softcover.).

Federico Pepe's Magnum opus (limited edition artist's book).

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

Three iconic series of photographs by Juergen Teller.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

MacLise's early electronic music.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

Facsimile of a book of drawings made between 1979 and 2010.

300 drawing by Portuguese artist Gonçalo Pena.

The reissue of the Manifesto of Futurist Musicians (written in 1911), in which the Italian composer, musicologist and ethnographer Francesco Balilla Pratella (1880-1955) explains the "violent and absolute principles" of a futuristic music which inspired Luigi Russolo's The Art of Noises.

Jean Epstein's complete writings.

A Collector's Edition of 500 copies numbered and authorized by Maurizio Cattelan and Pierpaolo Ferrari. On the back cover of the Collector's Edition are printed the signatures of the authors.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

Artist's book (limited edition).

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

The 2015 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

New monograph.

The meaning of performance and performativity today.

A manifesto to reestablish a social and aesthetic dialogue between visual art, pedagogy, and psychology, philosophy, critical journalism, etc.

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

Retrospective monograph / artist's book.

A special edition dedicated to curating.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Monograph / catalogue of two parallel exhibitions.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

Walter Zanini, Vincent Honoré and Margarida Mendes, Jean-Max Colard, Ed Fornieles, João Mourão et Luís Silva, Jack Lavender, Rolf Nowotny, Judith Hopf, Avery Singer, Marie Angeletti, Quinn Latimer and Anne Dressen, The Still House Group...

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

Carl Andre's poems (retrospective monograph).

Retrospective monograph.

The first-ever comprehensive publication dedicated to the prints of Richard Tuttle (retrospective monograph).

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011.

A series of essays and close readings of Steyerl's films from the past ten years.

The second issue in the “Poetic Series”, initiated by Keren Cytter, takes its title Peacocks with Hiccups from the poetry of Berlin-based artist Karl Holmqvist, whose work is featured alongside American poet Catherine Wagner and emerging Spanish writer Luna Miguel, with artwork by Koo Jeong-A.

Somewhere between Hieronymus Bosch and Roald Dahl, Amandine Urruty's frescoes picture a particularly rich wonderland inhabited by anthropomorphic animals. A graphite virtuoso, Urruty uses sfumato technique with abundant details to form her baroque & bubblegum universe.

Artist's book.

Twenty-five years of design.

New monograph.