Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

This collective study examines the influence of Joseph Beuys's concept of social sculpture in the evolution of artistic practices from the 1970s to the present day.

Oliver Marchart traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and “biennials of resistance.”

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

A compilation of poems by the jazz musician and poet Sun Ra, in a bilingual edition (English / Spanish).

Catalogue.

The fourth issue of Blank Forms' journal: a kaleidoscopic view of the last fifty years of experimental art and music in the United States and beyond, mining the conceptual, technical, historical, or otherwise marginal details undergirding artists' lives, ideas, and approaches that may otherwise remain buried.

Igor Grubić's project for the 58th Venice Biennale, Traces of Disappearing in Three Acts (2006–19).

The contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism.

New monogaph.

Accattone #6 explores a renewed relationship with land, matter, “nature” and localities against the backdrop of the new climatic regime.

A series of connections between percussion and electronics.

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Sugimoto's majestic images of classic modernist buildings.

The script of Harmony Korine's new movie The Beach Bum.

Artist's book.

The art scene of Kosovo.

A portrait of Derek Bailey (1930-2015), by another great figure of sound experimentation.

The summer issue of Flash Art is an attempt to map the ecological breakdown> that is restructuring our belief systems, forcing us to conceive of new relational modes that reappraise our centrality in the world and advocate for a new continuity with the other.

Artist's book.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

Masayuki Takayanagi's legendary “lost” album.

Performance art with a “low artistic coefficient of visibility”.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices.

This unedited issue of Spectre invites contemporary artists to share their interpretation of vegetal trauma.

Monograph dedicated to a pioneer and leading figure in new media art.

The first English translation of Jacques Rancière's early philosophical text "The Dialectic of Reason and Private Interest", originally published in 1963. Written under the influence of Louis Althusser, the text is discussing the forms of law in Karl Marx's writings on the "debates on the law on thefts of wood".

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

Artist's book.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.