Catalogue of an exhibition centered on the work of the artist and writer Helen Khal (1923-2009), an influential figure in the Lebanese art scene.

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

A sci-fi imagining of life in America's penultimate chapter: Montreal-born, NY-based writer Charlotte Graham's debut novel, a work of experimental fiction, follows a sweeping group of characters in America's near future as they live and die under the threat of a new kind of deadly bomb called the Peacemaker.

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

Three "night music" pieces by Czech composer Petr Bakla, centered around the piano.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Hypnotic instrumental improvisation-based explorations by the trio from Cairo featuring Maurice Louca (Alif, Bikya), Sam Shalabi (Land of Kush, Shalabi Effect) and Alan Bishop (Sun City Girls, The Invisible Hands, Alvarius B.) are propelled by North African percussion loops and shimmering keys, a West African tinged free jazz guitar and a driving Krautrock-style acoustic bass.

As a prefiguration of its new formula, this issue of the Palais de Tokyo magazine is accompanying, but above all deepening

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

CURA. celebrates its 40th issue with a special collector's edition featuring a collection of over one hundred contributions expressly created by artists, writers, thinkers, and philosophers who have collaborated over the years with CURA.'s editorial and curatorial platform, since its founding in 2009.

Karen Kilimnik's artist's book Early Drawings 1976–1998 brings together the artist's own rich and varied selection of around 130 never before published early works on paper.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

The reprint of a cult book of post-1968 psychedelic culture:, an encyclopedia of the cultural and artistic manifestations of the rainbow first published in 1975 in Berkeley, California, on the occasion of The Rainbow Show exhibition held at the Fine Arts Museums of San Francisco.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

MUdec United, the new publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The first issue addresses the themes explored with an exhibition project composed of different stories related to the rainbow as a natural, cultural, spiritual and human phenomenon.

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

The volume "Spaziale. Everyone belongs to everyone else" brings together the voices of all the protagonists involved in the Italian Pavilion at the 18th International Architecture Exhibition – La Biennale di Venezia.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.

A novel of anticipation anchored in queer ecologies, a frenetic odyssey interwoven with songs and short poems, mixing the genres of feminist science fiction, young adult literature, space-opera and marvelous fable.

What architectural possibilities can emerge when we reimagine arid landscapes as spaces of abundance? (a collective book conceived as a travelogue that challenges preconceptions around aridity: the official publication of UAE's National Pavilion at Venise Biennale of Architecture).

A very personal text by Yann Chateigné Tytelman, curator and critic, who establishes a link between his past, his childhood and his career as a curator, his artistic choices, his exhibitions, often in connection with the theme of silence.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

Diaphanes #11 explores practices of human and non-human substitution, plays with the myths and visions of motherhood and procreation, gathers artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

A collection of about thirty texts to resume the passionate conversation that Jean-Luc Nancy was engaged in throughout his life, with philosophers and artists from all over the world.

Retrospective monograph: a panorama of Jennifer Caubet's work over fifteen years.

The first novel by Swiss artist Johana Blanc.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

A collective musical experiment based on the vast sound archives of the Museum of Ethnography in Geneva.

First monograph of the painter Xavier Drong.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

A journal gathering texts, posters and extracts of three round-table conversations edited and spatilized by the students and the teachers at ÉNSA Versailles and the editors of the magazine Accattone.

The 12th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with Atlas Studio, Eurostandard, Nathalie Herschdorfer, Elisa Medde, Jonathan Olivares, Samuel Spreyz, Manon Wertenbroek.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

A publication dedicated to the Axel and May Vervoordt Foundation, a Belgian art foundation containing over 700 artworks from both contemporary artists (Jef Verheyen, Anish Kapoor, Angel Vergara, etc.) as well as old ancient objects and artworks.

The third issue of Le Signe Design (the Cahiers of the National Graphic Design Center) is about DIY practices and is based on the work of Gilles de Brock, graphic designer who became a ceramic tile manufacturer.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

A long-term project by the Italian artist and agroecologist on rethinking the relationship with the earth, both from the point of view of humans and plants.

Giuseppe Ielasi's first album released on Oren Ambarchi's Black Truffle label continues the renewed exploration of the guitar that marks much of his solo work over the last few years: a major new work from a quiet master of contemporary experimental music

8 years almost to the day after releasing his unique re-interpretation album of his field recordings made in the late 90's in Tanzania, Kink Gong is back with another volume of bushmen madness.

Sophomore album from Tenerife based trio Lagoss (Gonçalo F. Cardoso, Mladen Kurajica and Daniel García), moving away from their megamix vignette based first volume to experiment with a more song based approach whilst still keeping their trademark jam infused tropicalia and electronic freak outs with an offering to their 1970's sci-fi masters.

In his "Autobiography", Andrea Salvino uses different visual elements that characterized his production through the years: movie stills, details of master paintings, images of celebrities and many others.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

An imaginary dictionary that navigates between language and landscape, notation and noise.