Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

9th issue of the art and research magazine is dedicated to Pierre Klossowski.

This catalogue documents two exhibitions by Xavier Antin inspired by William Morris' anticipation novel News from Nowhere. The French artist draws from the thinking of The Arts & Crafts movement's inspirer to provide a reflection on the mutations of craftsmanship and design.

Common sense: a philosophical investigation (after Alfred North Whitehead).

This historical essay assesses the impact of Dadaist ballet Relâches on the French artistic community by restoring the historical context that has transformed the collaboration of Picabia, Satie and Börlin into a unique event in the history of dance and performance.

African American women and literature; artistic activism in Cuba; Ouagadougou Dance triennial; interviews with Oiseaux-Tempête, Milo Rau, Luc Boltanski & Arnaud Esquerre; portraits of Morehshin Allahyari and (La) Horde; postpunk legend This Heat; theater without comedians; Clarisse Hahn & Mohamed Bourouissa; portfolio by Théo Renaut & Alicia Tréminio…

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

Series of collages based on guitar patterns found in album covers.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

2-volume set bringing together a visual catalogue of the 2016 Dhaka Art Summit and a conjunct reader addressing the themes that informed the Critical Writing Ensembles—an international platform dedicated to art writing—which gathered during the South Asian art festival.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015.

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Hallucinogenetic experiments and Persan lycanthropy.

A collective survey on the current conditions of art and culture in Central and Eastern Europe.

The Seventh Issue of Zamâm magazine gathers innovative artists, curators, and art historians to investigate the relationships between the Pacific Region and the Mediterranean Basin, from Morocco to India (with Toni Maraini, Eric Baudelaire, Geeta Kapur, Touda Bouanani, Faouzi Laatiris…).

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

The daily routine of a dropout in the city of Marseille.

A poetic and philosophical text investigating the use of the sentence.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

A three-part fiction relating the daily lives of characters at the beginning of our century: the artist alternates reality and fiction, developing themes at work in his visual practice. As usual, the author involves a series of contributors.

A collection of texts by artist and designer Olivier Peyricot, documenting his research and experiments since 1997. For twenty years, Peyricot has been questioning the political and social dimensions of design.The publication also features a rich iconographic documentation.

A collection of poems describing a post-human Earth. 2018 Swiss Literature Award winner.

In the intimacy of France's 1980s underground: the life and time of art collective Frigo.

A literary portrait of Giacomo Casanova.

Interviews with Steffani Jemison, Amitav Ghosh & Curt Stager, Ron Athey, Stephin Merritt, Rita Ackermann, Bryan Hunt, David Levine, Hari Kunzru & Sjón, George Saunders, portfolio by Su Hui, novel excerpts by Mathias Énard, João Gilberto Noll, and Andrew E. Colarusso, poetry, comic book artist Austin English, reviews, and more.

The first volume of the design research journal devoted to work and its mutations presents a collection of texts by the philosopher Pierre-Damien Huyghe.

Featuring a cover by Wolfgang Tillmans; Art and resistance; General Idea; culture and critique in Beirut; Sky Hopinka and the Whitney Biennial; the rise of 3-D technology; Albert Serra; Kochi-Muziris Biennale; Kelly Akashi; Peter Voulkos; R. H. Quaytman; Richard Kennedy, and more.

Published to celebrates the 30-year anniversary of transmediale, this reader aims to use the critical and artistic knowledge gained at the festival over the years to reframe the question of the role of media today. In a world where technology increasingly operates independently of humans, where does the power to act and mediate lie?

Catalogue dedicated to the artistic exploration of the cosmic space (in the framework of the 8th edition of the Triennial of Contemporary Art U3 in Ljubljana).