Bächli & Hattan's publication features the 1:1-scale reproduction of certain pieces exhibited during a joint show at Centre Culturel Suisse in Paris. The reproductions take the form of printed sheets that have been folded and inserted in a plastic sleeve. It comes with a booklet featuring an interview of the two artists by Jean-Paul Felley and Olivier Kaeser, along with a text by Patrick Javault.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Monographic catalogue presenting a series of sculptures and a set of photographs by the Belgian artist. The two media enter in close dialogue with each other, thus exploring the potentialities of image and space. With a text by Michel Gauthier.

An electroacoustic psycho-geographical composition made from field recordings collected from 2011 to 2016.

First French translation of the famous 1966 interview with the American saxophonist by writer and jazz specialist Frank Kofsky.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

A collective essay focusing on the intersections between contemporary dance and literature.

A fascinating reflection on the reception of butoh dance in France.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

An operative and operational booklet to decode the impoverishment of languages.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

The essays gathered in this volume explore interactivity in art, in a historical and interdisciplinary perspective.

This book focuses on the distinctiveness of the stars of Hollywood's Golden Age. These stars were cast for their specific dancing or singing skills, that could be recognized by audiences and sold by the studios' publicity machine. They acquired Hollywood stardom through a dialogue with highbrow culture and mass industry, that cinema tried to bring into harmony. This collection brings together the contributions of American, British and French researchers.

This book focuses on the distinctiveness of the stars of Hollywood's Golden Age. These stars were cast for their specific dancing or singing skills, that could be recognized by audiences and sold by the studios' publicity machine. They acquired Hollywood stardom through a dialogue with highbrow culture and mass industry, that cinema tried to bring into harmony. This collection brings together the contributions of American, British and French researchers.

An ethnological study of witchcraft in West Africa, based on field research conducted in five countries between 1994 and 2000.

Exhibition catalogue dedicated to the meeting of two of the most innovative fashion designers in Japan, Keisuke Kanda and Kunihiko Morinaga.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

This manual of aesthetics, tinted with humour, provides the key to a happy existence through the unexpected combination of the philosophies of Buddha and Nietzsche.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

A three-year survey with patients, families, caregivers and associations who fight off the Huntington's disease using the tools and lessons stemming from the arts and humanities.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

For three years Rico Scagliola and Michael Meier have been taking candid photographs of people from all walks of life and of every age in public and semi-public urban spaces: on streets and city squares, in cafés and bars, train stations and airports, stores and shopping centers. Combined with genuine words taken from the internet or heard in the street, this photographic series is a comédie humaine of the present day and age.

Appetite for the Magnificent is a photographic and essayistic exploration of the history and present-day world of the aquarium. The contribution by David and Tania Willen tackles the aesthetic dimension of Swiss present-day aquariums, while Jörg Scheller's essay on naturalist Philip Henry Gosse retraces the evolution of the aquarium at the interface between art, science and religion...

In Western Australia, musician Ross Bolleter collects ruined pianos that he parks into open cemeteries and from which he draws his inspiration for his compositions. In this publication, Bolleter explains his musical practice and tells the unique story of these ruined pianos scattered in the heart of the Australian territory.

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

The socialism of Capital: a collection of texts by economist Christian Marazzi on the new capitalist regime formed out of the 2008 crisis.

Published on the occasion of the 250th anniversary of the foundation of The French National School for Decorative Arts, this catalogue documents and expands a unique project built around a workshop gathering former and actual students, and an extraordinary exhibition of 250 posters in the Paris metro.

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

Kim West, Exhibition, Apparatus, and Media, 1963-1977 / Yann Chateigné, 1977 / Richard Parry, London, London / Lotte Arndt on Enquête sur le/notre dehors by Alejandra Riera / Peter Fischli, The Hiking Trail Around the Airport / Liam Considine on “Thinking of readymades belong to everyone®” / Giovanna Zapperi on “Show Me Your Archive” / Oleg Frolov on Tobias Kaspar / Anke Dyes on Till Megerle / Christian Haye on Juliana Huxtable / Camilla Wills on On Charges (The Supplicants) by Elfriede Jelinek / Jeanne Graff, Clifton Clifton.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Artforum looks at Russia and the Art of Revolution: A century after the Soviet uprising of October 1917, Matthew S. Witkovsky, Devin Fore, and Owen Hatherley look back—and forward—at the fate of radical culture, utopia, and politics; architect David Adjaye talks about design, culture, and society; Ina Blom on Ed Atkins and the science of weather simulation; and more.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.