First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

An essay on art exhibition.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

New monograph.

The history of the CCN (Centre Chorégraphique National) – Ballet de Lorraine, the first National Choreographic Center in France: a look back over fifty years of history for a choreographic revolution, by Agnès Izrine and Laurent Goumarre.

An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

By renewing the dialogue with anthropology, this book invites the history of science to be refounded on other, more humanistic bases.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

First monograph.

Every Force Evolves a Form by Alessandro Bava; Design, Reset: Studio Formafantasma in Conversation with Alessandro Rabottini; Clinical Cosmology: Tishan Hsu by Hera Chan; Oceanic Time-Lag: on Mati Diop's “Atlantics” by Dora Budor...

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

LP plus DVD with full-length movie (125 minutes) of Balafon music of the Lobi people, recorded in and around Gaoua, Burkina Faso, on a two-week journey in June 2014, by Dirk Dresselhaus (alias Schneider TM), Julian Kamphausen and Arved Schultze. Packaged in a full-colour gatefold sleeve with DVD tray, with numerous photos and an extensive interview with Dresselhaus.

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

An accordion and two turntables for an abstract musette.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

A manifesto for artistic research and in defense of its autonomy.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

A clothbound collection of Alexandre de Mortemart’s richly textural black-and-white cityscapes.

Jeremiah Dine's illuminated vision of New York street life.

The large-format book celebrating the collaboration between Toilet Paper and Martin Parr.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

An investigation into sex work in the dance world; cops but artists; in Lebanon, the revolution without confession; the artistic project Fjord City, 2114; after nature, with Vinciane Despret; Romain Huët and the carnal experience of the riot; Diao Yinan, Chinese banditry in chiaroscuro...

Emma Souharce, contemporary Arabic-language poetry, Michèle Bokanowski, Olivia Block, Barre Philips, Jojo Hiroshige, Lin Chi-Wei...

This January in Artforum we invite critics and artists—from Tim Griffin and Amy Taubin to Ilya Lipkin and Kerry James Marshall—to take measure on the newly renovated MoMA. Plus, Hal Foster on the art of Rachel Harrison, Kate Sutton on Hana Miletić, and a special previews section with over 40 exhibitions worldwide; including Steve McQueen at the Tate Modern, Hilma af Klint at Moderna Museet, and more.

Spike's winter issue #62 – “The 2010s” – traces the rise and fall of trends like post-internet art and normcore, and bids farewell to older forms of identity politics that have since been replaced by activism, algorithms, social media, and other forces that transformed the cultural landscape of this decade of disquiet.