A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

The second volume of François Huglo's literary portraits: du Bellay and Borer, Zénon and Valéry, Borges and Beckett, Leibniz, Proust and Redon, Kafka, Barthes and Derrida, Baudelaire and the oenologist Émile Peynaud, Bory and Novalis...

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

Examining how things are sold and exchanged within diverse cultural environments, past and present through a collection of contributions by social anthropologists and historians, this book builds a bridge between social history, cultural anthropology and economics and marks a major step in our understanding of the cultural foundations of economic life and the sociology of culture.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

The collection of works by artists related to architecture and architectural projects of the Frac Centre-Val de Loire, as story of the origins: a rereading of the foundations on which architectural experimentation has been built since the beginning of the 1950s.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

Theorists, historians, and artists address the precarious futurity of the notion of the future itself.

Drawing on original documents, photographs and detainee artwork, this book offers a unique insight into the experience of immigration detention in the UK.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

This catalogue stems from an exhibition program which investigated the heritage of the 1968 project The Model, for which Stockholm's Moderna Museet was transformed into an adventure playground for children.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

The Musical Chairs That Is Capitalism by Estelle Hoy; Hudinilson Jr. by Paulo Miyada, walking in Chicago with Hendrik Folkerts; Brook Hsu in conversation with Ross Simonini; a short story by Travis Jeppesen; Primavera (An Elegy) by Sabrina Tarasoff; Anthropy: What the Post-Human Looks Like by Dieter Roelstraete; Ian Wilson by Catherine Wood; Omar Kholeif charts the ailing effects of living in an increasingly sick society...

Flash Art Summer Issue.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

The archives of the 1990s.

Sean Baxter, Alessandro Bosetti and Hong-kai Wang, Mark Vernon, Kate Carr, Homei Yanagawa, Malaka Badr...

This July/August in Artforum: Ja'Tovia Gary invites five young Black women artists—Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon—to share her space in the magazine. Plus, artist's projects from Jamal Cyrus, an interview with Cy Gavin, Paul B. Preciado on revolution, Daniel Marcus on Keith Haring's safe sex, reviews from Paris, Madrid, New Delhi, Hong Kong, and more.

Contributions by Laura Owens, Daehyung Lee, Alvin Li, Catherine Malabou, Daniel Baumann, Ubermorgen, Walter Van Beirendonck, Mark von Schlegel, Cao Fei & Hou Hanru, Dean Kissick, Bianca Heuser, Ingo Niermann, Victoria Campbell, Enis Maci...

Monograph dedicated to the set of 70 pieces by Arnulf Rainer constituting the Fonds Michel Foëx, of which Rainer Michael Mason presents the first study.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

Artist's book / catalogue

Artist's book.

A journey through Western artistic culture with thirty-nine ancient and contemporary works from the Fabrizio Moretti collection, from the Gothic period to the experiments of the last ten years, passing through Mannerism and the Baroque.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).