A collector's declaration of love for his collection (the transcription of a performance by Oriol Vilanova).

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

A study of clouds through photographs, drawings, essays, and interviews.

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

The account of a collective study around the question of the irreversibility of the damage caused by extractivism and accumulation for common spaces and living conditions, in their political, social and aesthetic dimensions.

This publication explores the key tenets of artist Nicoline van Harskamp's research and practice, such as the contemporary use and modification of languages, a treatment of names as spoken language rather than spelled identity markers, and the practice of self-naming.

Noé Sendas, Hao Shuo, Gaël Davrinche, Jean-Michel Sanejouand, Bernard Buhmann, Claudio Coltorti, Armand Jalut, Petrit Halilaj, Marcos Carrasquer, Oscar Murillo, Szabolcs Bozó, Laurent Ajina, Mizuho Koyama, Chloé Quenum...).

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

Rethinking cosmopolitanism without its exploitative grip through alternative traditions and practices of the cosmopolitan from across the globe.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Issues 23 to 26 of the critical review dedicated to graphic design.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

A series of drawings by Pierre Budet produced daily in Rennes from March 17 to May 11, 2020 during the confinement period imposed on the French population due to the pandemic (covid-19).

A compilation of photographs of Mexican vigils, "casetas de control" or "casetas de vigilancia", taken from February to June 2018. These control booths, which were captured in the residential areas of Mexico City, govern free movement. This book is a true repertory which reveals an aesthetics of urban space and architectural functionalism.

A photographic alphabet.

The 19th issue of the CNES' creation magazine has committed its contributors, and now commits its readers, to embark on the Great Space Game.

The current state and future of painting in the digital age.

Artist's book.

Jim O'Rourke's masterful abstract contribution to the MMXX series.

Quentin Rollet lays his mini tape synthesizer and saxophones on drum tracks recorded by Kim Giani in 2015, that is to say in the world before confinement. A humorous and energetic project, realized in a period of global boredom.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

Julien Blaine's new collection of poetic, visual and typographic experiments.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

Marco Boubille makes speak the images of Photomaton that he picks up in the streets and collects, in a long serial poem.

Drawing book, with an introductory text by Liliane Giraudon and a feminist manifesto by the artist.

Fragments of the total poetry of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance.

99 photo-poems by the Franco-Chinese poet, performer and artist, an emblematic figure of Chinese artistic and cultural resistance.

Fragments of the total poetry and photo-poems of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance. The limted edition gathers the two volumes (Episode 1 and 2), numbered from 1 to 20, with an original signed artwork inserted in each of them, constituting a dyptic.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

Racism in the arts; the destruction of the National Theatre of Tirana and the collusion between politics and real estate in Albania; literary tourism with Jean Giono; the defence of the public service of culture on the ground; monsters and revolution with Paul B. Preciado; interview with the anthropologist Nastassja Martin; Jean-Charles Hue; Natsuko Uchino...

Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.

The 65th issue of Spike, devoted to the theme of plants.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.