A publication project about listening and sound relations.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A history of the concept of data.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

Vegetal life at the forefront of philosophical thought.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

The fertile exchanges between French and American poetry since 1968.

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

From Pantin to Paris-North Station, via "somewhere in Latin America": an implosive writing for a mapping of violence. Both a poetic document and a choreographer's notebook.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by Liliane Giraudon (drawing on tracing paper).

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

A reconstruction of the vast network of images and texts that give shape to Italian fascist totalitarianism.

The dimension of the transitory in the fields of architecture, urbanism and design, as a new horizon of thought and action concerning all aspects of urban life, in its economic and ecological complexity.

Special offer for the purchase of the 6 books / DVDs.

For his Spike edition, the artist Seth Price created an 8-track LP. The LP's back cover features a photo of the artist's last-minute Halloween costume from 2018, when he dressed as the Marciano Museum, his spooky masked persona foreshadowing the grisly detail that the museum would close, after laying off its entire staff for their attempt to unionise, almost exactly one year later.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

A musical and poetic performance by the Italian artistic collective.

The first new Ilitch album since 2010—one of Thierry Müller's most personal, introspective and seducing recordings.

First monograph of the Beninese painter.

First encounter of two essential figures of the French underground and alternative music scene.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

The best of 2020.

The Therapy Issue: Spike on the couch (contributions by Jos de Gruyter & Harald Thys, Qu Chang, Liam Gillick, Bonaventure Soh Bejeng Ndikung, Iman Issa, Sean Monahan, Victoria Campbell, Ingrid Luquet-Gad, Jeppe Ugelvig, Jaime Chu, Bianca Heuser, Nicolette Polek, Adina Glickstein, Artur Klinau...).

A series of drawings revisiting the history, the landscapes and the fantasy of Tyrol in Austria (leporello).

Gilles Coudert's film, narrated by Charles Berling, stages a dialogue between contemporary creation and heritage on the occasion of Traversées, a cultural event organized in Poitiers, with Korean artist Kimsooja as guest of honor.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

A tribute to William S. Burroughs.