Nine interviews with the artists exhibited in the Geneva art space Forde between 2018 and 2020.

First publication of the essay of the Spanish architect Elisa Valero Ramos.

A book that documents/closes the Oslo-based queer-feminist plattform FRANK, with a rich contributions list and many illustrations.

A fascinating journey into the experimental filmmaker's universe.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

First comprehensive monograph on Swiss artist Raphael Hefti (book printed by the artist himself with a specific technique making each copy a unique object).

This monograph deals with Diego Marcon's overall practice through the analysis of three works.

A split LP from two leading voices in electroacoustic music.

Silent Blocks considers two point of views on the Covid-19 pandemic and the way it is dealt by Western countries during the lockdowns of spring 2020. First, Myr Muratet's photographs in a silent Paris. Then, the thoughts of Canadian science journalist David Cayley, based on the work of philosopher Ivan Illich.

A study and translation of a fundamental text on the “art of the insane” in Russia, re-establishing a whole section of Western history of the interest of psychiatrists in the relationship between creation and madness.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

The collection of writings on art by the French philosopher, historian, semiologist and art critic Louis Marin (1931-1992).

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

An anthology.

Issue dedicated to the work of Jean-François Bory.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Re-territorializing the public space.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

Vladan Joler, Shinseungback Kimyonghun, Winnie Soon, Weidi Zhang, Trading Voices, Sonic Surveillance in the Age of AI, Through a Glass Darkly, Dither Studies and Straightened Trees, MNEMOSCOPIO & rs548049170_1_69869_TT (The Other Shapes of Me)...

A polyphonic genealogy of the concept of contemporary African art.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.

The intersection of walking and collecting.

Mario Pfeifer's most extensive monograph to date.

New monograph.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

The deep political and moral ambiguity attributed to the maritimeelement in Western philosophical and literary imaginaries.

A philological and theoretical rereading of the late work of Johann Georg Hamann (1730-1788).

Children and childhood in modern literature.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.