A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

Catalogue / artist's book.

The BOM DIA weekly planner for 2022.

Yves Scherer's Tatami mats series.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

The 42nd and last issue!

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

Facsimile edition of Stephanie Oursler's 1975 artist's book.

Reference monograph on the work of one of Belgium's most discreet, yet most important, female artists.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

Sound American Publications' 27th issue, The Life Issue, proposes a reflection upon the smallness—and largeness—of living amidst a tumultuous, globally-shared moment (featuring Claire Rousay, Susan Alcorn, Jack Langdon, Lea Bertucci & Audrey Chen, Katie Porter, Ahmed Abdul-Malik, Henri Pousseur, Chris Pitsiokos, Catalytic Sound collective, Ka Baird, Mazen Kerbaj...).

My Barbarian, Tauba Auerbach, Petrit Halilaj, This American Wife, Meret Oppenheim, Kayode Ojo, Judy Chicago,Louise Fishman, Yannis Tsarouchis, Ericka Beckman... and more than 35 exhibition reviews from around the globe.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

The social and political dimensions of art and art writing in the contemporary context.

A critical examination of the Studio Experimentelles Design's politically and socially committed approach, questioning the social implications of design as well as the working conditions of designers today.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

This publication documents and discusses Tensta konsthall's experimental multi-year project "Tensta Museum: Reports from New Sweden" that ran from 2013–18 in Tensta and beyond. By pretending to be a museum, the project created a richly contrasting patchwork stretching over six years, in which manifold interests and expressions together formed a narrative with tensions and conflicts erupting around questions like "what history and heritage?," "to whom do they belong?" and "what about the present?"

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

A series of compositions using environmental sounds and field recordings from the five continents.

One of Ghédalia Tazartès' final recordings, with Rhys Chatham, in 2018-2019.

In an echo to appeals in the collective exhibition Ubuntu, a Lucid Dream—calls for revolt, as well as for wisdom and reparation—this issue of the magazine Palais is published on the occasion of a season of exhibitions at the Palais de Tokyo, which foregrounds artists whose practices cross borders and restore the capacity for action, to ideas, forms, and cultures which are more nomadic than static.

Kandis Williams, Rose Salane, Peggy Ahwesh, Elene Chantladze; essays by Dodie Bellamy, Estelle Hoy, Pablo Larios...

Contemporary artists and art professionals consider the concept of beauty in art and in their own practice.

The publication Bande à part discusses the reasons, means, and rationales of a range of recent independent art institutions, which often have a small economy yet create a considerable impact within their respective art scenes.

Retrospective monograph.

An investigation into the history of Chilean medicine, by the Italian artist and filmmaker.

A photographic dive into the history of the Marconi Studio from 1968 to 1978.

New monograph.

Artist's book.

Monograph dedicated to the corpus with which the Israeli artist explores, like an archeologist, the historical and geopolitical dimensions of territorialization, colonization, migration and transgression of borders, from issues related to the history of its country of origin.

A project for which artist Simon Moretti invited fifty-one artists to supply a text that they had written or found, to be considered as part of a collaborative artwork to represent their thoughts in the current charged moment in history.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.