A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

This book is dedicated to the work of Destroyers/Builders (Linde Freya Tangelder), as part of a series of monographs on the thought and work of young contemporary designers.

This book is dedicated to the spectacular and baroque work of Kostas Lambridis, as part of a series of monographs on the thought and work of young contemporary designers.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

A political anthropology of music that is resolutely critical, reflective and accessible, based on a study of the world of Burkinabe rap.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

This monograph dedicated to Ivan Argote presents the richness of the Colombian artist's work. Using photography, film, sculpture, as well as painting, he invites us to rethink the links between the intimate and the political and to question the proponents of dominant ideologies.

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

Zoran Terzić's wide-ranging and sharply detailed essay takes up the cultural-historical figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the art of idiocy that extends outside the hypertrophic present.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

Issues 39 to 41 of the critical review dedicated to graphic design.

A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

A philosophical manifesto for a "minor thought of design", as a vector of intensification and problematization of our relationship to the world.

Through a careful reading and etymology of architectural treatises, from Vitruvius to Vittone, Bruno Queysanne reveals a little-known aspect of these "classical" texts, in which architects leave aside their learned and dogmatic rhetoric to give us pragmatic advice about the realization of the architectural work.

The first French edition of the theoretical dialogue of the Italian architect and engraver Giovanni Battista Piranesi (1720-1778), one of the most radical texts in the history of modern architectural theory.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

A vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions by artists Filipa Cordeiro, Joăo Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0.

A volume that gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced, accompanied by a vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

The contributors of this book invite readers into a cultural journey at the crossroad of multiple disciplines, allowing them to rediscover the history of this administration from a sensible, intimate point of view.

The 11th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

A visual anthology compiling the contributions of the filmmakers who are part of the Light Cone collection, a key institution for the distribution, promotion and preservation of experimental cinema in France and around the world, on the occasion of its 40th anniversary.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

The Italian artist's research around the issues of normativity and the institutional stigmatization of mental illness.

Catalogue of a group exhibition mounted from the FRAC Réunion collection around identity issues such as racial, social or sexual constructions.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

The third album by Marsen Jules, both introspective and visionary, modest and ground-breaking, remastered by Stephan Mathieu and with a new artwork by Umor Rex's Daniel Castrejón.

A novel by Liam Gillick.

Retrospective monograph: an exhaustive overview of more than fifteen years of practice of the Belgian artist whose work oscillates between post-industrial sculptures and post-apocalyptic realism.

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

A dialogue between the saxophone and the viola.

A "football-oratorio" that replays the 2006 World Cup final match between France and Italy.

Catalogue gathering the series of works realized around the furniture by two artists of different generations but having in common a same refusal of the authority, the paintings of Enrico Baj produced at the beginning of the years 1960 meeting the new sculptures of Martin Kersels.

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.