COLUMNS
PASSAGES
Sabine Breitwieser,
Branden W. Joseph,
and
Judith Bernstein on
Carolee Schneemann
BOOKS
Michael Ned Holte on Norman M. Klein's Tales of the Floating Class
PERFORMANCE
Catherine Damman on
Jackie Sibblies Drury's Marys Seacole
FILM
James Quandt on Olivier Assayas's Non-Fiction Melissa Anderson on
Gabriel Abrantes and Daniel Schmidt's Diamantino
SLANT
Ivana Bago on Sanja Ivekovic´'s Whether We Were Brave
TOP TEN
Ottessa Moshfegh
PREVIEWS
SUMMER 2019 EXHIBITIONS
40 shows worldwide
Johanna Fateman on the Whitney Biennial 2019
Ralph Rugoff talks with
Daniel Birnbaum about the 58th Venice Biennale
FEATURES
ART'S UPRISINGS: ACTIVISM NOW
SIT AT THE FEET OF ACTION
RISE TO THE OCCASION:
THE ART OF POLITICAL TIMING
Claire Bishop
NOTES ON POLITICAL TIMING SPECIFICITY
Tania Bruguera
CASE STUDY:
NAN GOLDIN AND THE SACKLERS
Christopher Glazek
DISSIDENT BODIES
Julia Bryan-Wilson in conversation with Miguel A. López
CASE STUDY: THE 2014 BIENNALE OF SYDNEY
Juliana Engberg
OPENINGS: IMANI JACQUELINE BROWN
Yxta Maya Murray
CASE STUDY: BOYLE HEIGHTS
Catherine G. Wagley
BE AT THE HAND OF MIGHT
DUE PROCESSES: LAW BY ART
Joan Kee
GROUP MATERIAL: THE ART OF
SUZANNE LACY
Catherine Taft
ABOUT TIME
Huey Copeland in conversation with Meg Onli
WAKING LIFE: THE ART OF
CAULEEN SMITH
Siddhartha Mitter
BE SO BIG THAT SKY WILL LEARN SKY
1000 WORDS: TIONA NEKKIA McCLODDEN
David Velasco
PAGE TURNERS: HERESIES
Sara Marcus
THE ENDANGERED UNRULY: THE ART OF MARY BETH EDELSON
Dodie Bellamy
REVIEWS
Lane Relyea on Gretchen Bender
Meera Menezes on Arpita Singh
Kashif Sharma-Patel on Grace Wales Bonner
From New York, Cambridge, Ridgefield, Chicago, Portland, Los Angeles, London, Carlow, Paris, Berlin, Hamburg, Vienna, Rome, San Gimignano, Valletta, Rotterdam, Oslo, Helsinki, Dubai, Mumbai, Lahore, Marrakech, Hong Kong, Colombo, Mexico City, and Sydney
