COLUMNS
PASSAGES
Yve-Alain Bois, Amy Baker Sandback, and Suzanne Hudson on Robert Ryman
Rachel Kushner on Alex Brown
BOOKS
Polly Watson on
Dreyer's English
FILM
James Quandt on Claire Denis's
High Life
PERFORMANCE
Catherine Damman on Robert Ashley's
Improvement (Don Leaves Linda)
ON SITE
Kaya Genc on the 23.5 Hrant Dink
Site of Memory
TOP TEN
Raf Simons
FEATURES
WISE GUYS: THE ART OF
NICOLE EISENMAN
Johanna Fateman
DRAFTS:
STEFFANI JEMISON ON THE STROKE, THE GLYPH, AND THE MARK
Introduction by Huey Copeland
HUMANLY POSSIBLE: THE ART OF WILLIAM T. WILEY
Dan Nadel
1000 WORDS: TRENTON DOYLE HANCOCK
Ikechukwu Onyewuenyi
ROUTINE OF THE REAL: THE ART OF EDI HILA
Dieter Roelstraete
PERFECT CHAOS:
VEˇRA CHYTILOVA'S
SEDMIKRÁSKY (DAISIES)
J. Hoberman
OPENINGS: TRULEE HALL
Trinie Dalton
REVIEWS
Jack Bankowsky on Andy Warhol
Chelsea Weathers on “Art for a New Understanding:
Native Perspectives, 1950s to Now”
Daniel Quiles on “Un arte sin tutela:
Salón Independiente en México, 1968–1971”
From New York, Amherst, Chicago, Denver, San Francisco, Los Angeles, Oakville, London, Berlin, Cologne, Milan, Vienna, Paris, Brussels, Barcelona, Copenhagen, Glasgow, Bucharest, Vilnius, Istanbul, Baku, Mumbai, Hong Kong, Taipei, Sao Paulo, Buenos Aires, and Melbourne
