FEATURES
Art Is Like a Vampire. Interview with
Asad Raza
by
Maurizio Cattelan and Marta Papini
To Be. The ever-malleable materials of Margaret Honda
by Tenzing Barshee
Piper's Threat
by Yaniya Lee
The Logic of Modernism: How Greenberg Stole the Americans Away from a Tradition of Euroethnic Social Content
by Adrian Piper (Originally published in Flash Art 168, Jan – Feb 1993)
Of Visuality and the Politics of White Fear
by Charles Gaines
Self-Abstractions. Juan Antonio Olivares's 3-D animation
Moléculas, 2017
by Stephanie Seidel
Material Soul. Photography and corporeality in the work of Josh Tonsfeldt
by Thomas Duncan
Savage Space. Anna Uddenberg's heterotopic forms
by David Andrew
Tasman Inside Joke. The captivating and inscrutable sculptures of
Michael E. Smith
by Eli Diner
REVIEWS
Jesse Darling at Chapter NY, New York; Kathe Burkhart at Mary Boone Gallery, New York; Juliette Blightman and Ellie Epp at Western Front, Vancouver; Shana Lutker at Susanne Vielmetter Projects, Los Angeles; “Mechanisms” at CCA Wattis Institute for Contemporary Art, San Francisco; Tunga at MASP, São Paulo; Peter Doig at Michael Werner, London; Lydia Ourahmane at Chisenhale, London;
Ericka Beckman at KW Institute for Contemporary Art, Berlin; Marianne Wex at Tanya Leighton Gallery, Berlin; Albert Mertz at Croy Nielsen, Vienna;
Enzo Cucchi at Galerie Balice Hertling, Paris;
Tobias Spichtig at Malta Contemporary Art, Valletta;
Francesco Lo Savio at MART, Rovereto (Trento); “You've got 1234 Unread Messages” at Latvian National Museum of Art, Riga;
Francis Alÿs at Beirut Art Center, Beirut; Mithu Sen at Chemould Prescott Road, Mumbai; Nancy Lupo at Antenna Space, Shanghai.
