Anneka Esch-van Kan, Stephan Packard, Philipp Schulte:
Politics and Aesthetics: Introduction
Stephan Packard:
Thinking – Introduction
Maria Muhle:
From the Plebs to the Demos: Two Notions of Political Subjectification
Chantal Mouffe:
Democratic Politics in the Age of Post-Fordism
Josef Früchtl:
As If We Could Trust: Fiction and Aesthetics of the Political
Dieter Mersch:
The Political and the Violent: On Resistances
Friedrich Balke:
All in Good Time? Fiction and the Possibility of Historic Events
Jacques Rancière:
Doing or Not Doing: Politics, Aesthetics, Performance
Anneka Esch-van Kan:
Resisting – Introduction
Judith Butler:
Ethical Ambivalence
Frank Ruda:
Thinking Politics Concretely: Negation, Affirmation, and the Dialectics of Dialectics and Non-Dialectics
Simon Critchley:
Is Utopianism Dead?
Jon McKenzie:
Abu Ghraib and the Society of the Spectacle of the Scaffold
Anneka Esch-van Kan:
“Torture Chicks” – Resistance and the Political in Coco Fusco's A Room of One's Own
and A Field Guide for Female Interrogators
Andreas Hetzel:
“Prendre la parole”: Voices of Resistance in Contemporary Theory
Anneka Esch-van Kan, Philipp Schulte:
Reading – Introduction
Armen Avanessian:
Reading Political Theories (not) Reading: Towards a Contemporary Realism of Reference
Wim Peeters:
Contesting “the Democratic Chattering of the Letter”: Politics of Commentary in 20th Century Literature
Juliane Rebentisch:
Realism Today: Art, Politics, and the Critique of Representation
Nikolaus Müller-Schöll:
“Plus d'un rôle”: Playing Together in Contemporary Dance, Theatre, and Performance
Philipp Schulte:
Alternative Genealogies – Critique and Style in Contemporary Performance Art:. Xavier Le Roy and Mamoru Iriguchi
Stephen Packard:
Why are Story Arcs Dark and Gritty? On the Metaphysics of Seriality in Dexter
and Kammerer
Gabriel Rockhill:
Critical Reflections on the Ontological Illusion: Rethinking the Relation between Art and Politics