Macro
A Not So Sad September
by Cally Spooner
Feature
A Different Kind of Star —
Bret Easton Ellis and Alex Israel
by Tatiana De Pahlen
Feature
How Can One Exist Among Others? —
Mélanie Matranga
by Myriam Ben Salah
Feature
Be Emotional —
PAN
by Matthew Evans
Feature
David Hammons? —
David Hammons
by Wattis Institute's Research Group, introduction by Anthony Huberman
Feature
From Line to Sphere —
åyr
Feature
The Most Relative Media —
Martine Syms
by Eli Diner
Time Machine Being an Artist Is the Closest Thing to Being a Criminal that Exists —
William N. Copley
by Alan Jones, introduction by Toby Kamps
Micro
Proto-Povera-Radical-Sleek
by Michele D'Aurizio
Reviews
Peter Fischli & David Weiss Guggenheim/New York;
Adam McEwen Petzel/New York; Olivia Erlanger
What Pipeline/Detroit; Mathieu Malouf
Jenny's/Los Angeles;
Nathaniel Mellors The Box/Los Angeles; Jorge Macchi
Malba/Buenos Aires;
Das Institut Serpentine Gallery/London; Jesse Darling
Arcadia Missa/London; Elif Erkan
Weiss/Berlin;
Ceal Floyer Aargauer Kunsthaus/Aarau;
The Playground Project Kunsthalle/Zurich;
Oscar Tuazon Chantal Crousel/Paris;
Guy de Cointet Culturgest/Lisbon; Lorenzo Scotto di Luzio
T293/Rome; Evgeny Granilshchikov
Multimedia Art Museum/Moscow; Hemali Bhuta Project
88/Mumbai; Digging a Hole in China
OCAT/Shenzhen; Miho Dohi
Hagiwara Projects/Tokyo