Foreword
Sophie Claudel
Introduction
Noémie Solomon
I. Times, scores, techniques
Le Quatuor Albrecht Knust
Dominique Brun, Anne Collod, Simon Hecquet, Christophe Wavelet
Rests in Pieces: On Scores, Notations and the Trace in Dance
Myriam Van Imschoot
Subversion of the Dancing Body: Autonomy on Display
Bojana Kunst
On the Use of the Concept of Modernity and Its Perverse Effects in Dance
Michel Bernard
Rebelling Against Limit
Jonathan Burrows
On Notation
Laurence Louppe
Dancing the Virtual
Erin Manning
Dance, the Metamorphosis of the Body
Boyan Manchev,
Xavier Le Roy, Franz Anton Cramer
II. Writing, images, affects
Toward a Critical Reading of Contemporary Dance
Yvane Chapuis
To End with Judgment by Way of Clarification
Bojana Cvejić
A Common Place
Isabelle Ginot
The Perfect Dance Critic
Miguel Gutierrez
Jennifer Lacey & Nadia Lauro: Choreographic Dispositifs
Alexandra Baudelot
Loose Association:
Emmanuelle Huynh and Trisha Brown
Julie Perrin
A Dance That Is
Marten Spangberg
Steal, Duplicate, Unmask, Stretch, Connect, Intoxicate a Dance-image
Isabelle Launay
Dear N
Jenn Joy
III. Spaces, things, worlds
Manifesto for a Dancing Museum
Boris Charmatz
Emails 2009-2010
Jérôme Bel & Boris Charmatz
Museum Artifact Act
Mark Franko
Performative Practices / Critical Bodies # 2: What Makes Dance
Céline Roux
Disobedience and DIY
Laurent Goumarre
Expanded Dance
Chantal Pontbriand
9 Variations on Things and Performance
André Lepecki
Come Home Charley Patton
Ralph Lemon
Biographies
Acknowledgements
