Artist's book / catalogue

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

A research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

Perrotin's large hardcover Yearbook presents the gallery's activities across its six international locations over the course of 2019, bringing together exhibition views, conversations with the artists, photographs of workshops and events, and additional exclusive content.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Contemporary dictatorships and tyrannies.

Edited collectively by the students of the 2019 graduating and incoming classes of the Design Research Cycle at ESAD Saint-Étienne, issue 51 of the magazine Azimuts looks at pedagogy in higher education in design through testimonies and feedback from past and present experiences that challenge the traditional modalities and frameworks of school and university.

Against globalization's noxious exploitation of maritime resources, Ingo Nierman provides new practical, technological, and metaphysical scenarios to renew the relationship between men and the sea.

In a period of transition, loss of horizons, rethinking of known schemes and expectations, between trying to catch up with digital acceleration and dealing with a content overload, Cura. translates the vocabulary indicative of this new decade by republishing a thoughtful selection of contributions from its archive.

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

First monograph by Charlie Engman, the rising star of fashion photography: a vast series of pictures (500 images) of his mother, made over the course of more than a decade. With texts by Rachel Cusk and Miranda July.

In the spring of 1949, while they were shooting “Stromboli” on the island of the same name, Ingrid Bergman and Roberto Rossellini began a love affair which was to cause a scandal. The great photographer Federico Patellani documented the development of the film as well as life on the island.

The republishing, in the form of a palimpsest, of the prefaces published in the various editions of the catalogue of the Damascus National Museum, from 1919 to the end of the last century.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

An archeology of Swiss experimental film.

An anthology of Pettibon's drawings.

This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

This artist's book / leporello gathers reproductions of artworks from the permanent collection of the Museum Ludwig, drawing out re­s­o­nances be­tween the dis­parate works.

A book of interviews with the curator and pedagogue Laurence Rassel, who develops in thought and action ways to remedy what ruins relationships and hinders emancipation.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

First French translation of Shulamith Firestone's first novel.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

A picaresque tale of Clara Schulmann's often collective experiences.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The Conclusive Scene - Mao Zedong's Last Meeting with the Red Guards, 28 June 1968 includes the first complete English translation of the Chinese Cultural Revolution document "Conversation in a Meeting with the Responsible Persons of the Capital Red Guards."

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

First monograph.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

A collection of poems first published in 1972 by the French companion of the Beat Generation.