A 45rpm to be played in 33rpm, gathering three very different high-flying pieces, recorded by Jean-Marc Foussat.

A sax/Hammond organ duet recorded at XtraLab, Paris, then edited at Can Studio, Weilerswist, by René Tinner. Strangely, digital noises were added during the transfer of the sound files and are now part of the abstract music of the duo.

A surprising trio, initiated by Derek Bailey: Pat Thomas is here on electronics and Steve Noble, an outstanding drummer, plays only turntables. One of Derek Bailey's most abstract records.

Projects drawings.

Exhibition catalogue.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

A journey into the universe of one of the most original composers in the field of the concrete music.

Artist's book.

Artist's book.

The first volume of the catalogue raisonné of Jean-Pierre Raynaud's work covers the period from 1962 to 1973, revealing three major trends: the wooden pieces from 1962 to 1963, the psycho-objects from 1964 to 1970, the walls, the beginning of the artist's work on the House, and the first uses of 15 x 15 cm white tiles with black grout.

At the heart of the debates which over the past forty years have made design what it is, the work developed by Andrea Branzi stands out as that of a theoretician of design, as much in terms of his production, his writing and lecturing (comprehensive monograph).

Monograph on the Hong Kong filmmaker, a true aesthete of modernity.

350 palindromes.

First study on the Ecart collective.

37 minutes sound piece realized in 1995 (limited edition).

New monograph.

Album recorded in London by Toby Robinson (Stockhausen's student and who recorded a lot Derek Bailey) at Moat Studio. Total improvisation (voice, soprano saxophone and electric guitar), non-idiomatic. With a preference for short pieces rather than long tracks.

Two tracks produced by Luigee Trademarq, with Noël Akchoté on guitar, somewhere between La Souris Déglinguée and Toots and the Maytals!

The Rectange label "recycled" by Xavier Garcia.

An album of covers of French songs (Georges Moustaki, Brigitte Fontaine, Serge Gainsbourg, Léo Ferré, Jacques Brel, Nino Ferrer...) by The Recyclers (Noël Akchoté, Benoît Delbecq and Steve Argüelles) featuring Philippe Katerine, Ignatus, Sasha Andres and Irene Jacob.

Eighth album of the Workshop of Lyon, it is also their first entirely improvised disc, recorded by Jean-Marc Foussat.

Rirkrit Tiravanija, Pierre Huyghe, Felix Gonzales-Torrès, Barbara Steiner...

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

A presentation of Hans Hartung's painted work.

Solo recording made at Instants chavirés. In 9 tracks, Noël Akchoté goes from pure noise to guitar hero solo worthy of Woodstock.

The second album by the improvisation trio Benoît Delbecq / Steve Arguëlles / Noël Akchoté (and the very first for the Rectangle label founded by Quentin Rollet and Noël Akchoté), recorded live in Quebec City and Vancouver during a tour of Canada in 1995.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Unpublished text, signed original work, unique for each copy.

Unpublished text illustrated by a unique original signed lacerated poster.

Derek Bailey and Eugene Chadbourne in an improvised duet, recorded live on January 2, 1995.

Five unpublished short stories illustrated by an original lithograph signed by the artist.

Unpublished text with an original silkscreen print signed by the artist.

Unpublished text with an original artwork signed by the artist.

Five unpublished texts with an original lithograph signed by the artist.

Unpublished text, original silkscreen enhanced by hand and signed.

Unpublished text, signed original screenprint.

A mix of absurd poetry and homemade music, these seven songs and two instrumentals give life to Frédéric Le Junter and Pierre Berthet's musical creations founded on quirky objects.

This diary recounts the artist's thirtieth birthday, during which he photographed every person he met and every place he visited, from May 8, 1991 to May 8, 1992.

Unreleased recordings from Vandoeuvre's Musique Action Festival, produced between 1998 and 1992 for the festival's 10th anniversary. The blossoming style of the music of the 80s can be heard throughout the album.

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

Unpublished text, original lithograph enhanced with Roland Topor's fingerprints and signed.