An unpublished interview with the American artist, a series of photographic boards and an essay by Kay Rosen: a presentation of her recent works as well as a general introduction to her oeuvre.
This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.
Catalogue raisonné, with 170 publications described, a biography, a bibliography 1995-2004, and 14 texts by Herman de Vries read by the author on an audio CD-ROM included.
Charley 04 (Checkpoint Charley) is born out of the reasearch conducted by the curators of the 4th Berlin biennal for contemporary art (2006) and brought together images of works produced by more than 700 artists.
First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.
In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.
This book gives life back to 72 aborted projects by publishing the preliminary works—plans, schemes, drawings, graphics, photographs, writings—kept by invited artists.
Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.