Two-volume publication gathering a booklet accompanying Pierre Bismuth's 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades.

An examination of intersections of mass-population displacement and architecture through the twentieth century and into the present (with visual contribution by Omer Fast).

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Reference monograph surveying ten years of work centered around painting, with forays in other forms of art. The Italian artist's conceptual universe interweaves personal experiences with references to art history, literature, and music as well as to cinema.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

A poetical and political questionnaire focusing on social exclusion and isolation issues in a French ghetto.

The first volume of Rémy Zaugg's complete writings (1963-1968/1988): entitled The Making of a painting, this transcript of Zaugg's diary revolves around the notion of artistic discourse, and how it is directly influenced by paintings.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and minimalist sculpture.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A very cinematic improvised instrumental session by Thierry Müller (Ilitch) and Quentin Rollet.

This elegant monographic book by Argentine photographer Jorge Miño includes a significant amount of photographs in dialogue with architecture, complex spaces, tubular structures, and internal staircases of buildings.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

A critical essay on the state of the academic world, and a call for the development of an autonomous knowledge production.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

Magali Reus' recent series and new sculptures.

The magazine of Palais de Tokyo is devoting its issue # 25 to the exhibition “Le Rêve des formes” (The Dream of Forms), dedicated to the relations between science and contemporary art. The exhibition is presented at the Palais de Tokyo from June 14 to September 10, 2017, and organised on the occasion of the twentieth birthday of Le Fresnoy – Studio National des Arts Contemporains.

Publication dedicated to Noël Dolla's pictorial experiments in nature: this lesser-known side to the artist's work offers a unique insight today on the painter's research on the medium. The book features a chronological documentation exploring in detail these 13 “Spatial Restructurings”, along with texts by Fabrice Flahutez and Rachel Stella.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Minna Henriksson's artist book Works on Paper is a graphic story with forty linocuts on the political history of the paper industry in Finland.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

First published in 1964, this wordless and colorful picture book is a tale of friendship between a pink bird and an orange fish. The illustrations by Swiss artist Peter Wezel are rendered with a deliberate childlike naiveté which will delight children and adults alike.

Gagarin's final issue, featuring original texts by James Welling, Yuki Okumura, Kapwani Kiwanga, Fabio Zimbres, João Maria Gusmão & Pedro Paiva, Kasper Bosmans, Eric Baudelaire, Ieva Miseviciute.

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

First comprehensive monograph dedicated to the work of Yael Bartana: a comprehensive overview of the artist's films, installations, performative projects, photographs, and sound works of the past 15 years. The publication highlights her fascination with the ways in which social rituals shape both individual identities and collective memory.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.