Historically important pieces documenting John Cage's early electronic and tape practice.

The complete series of works made by David Toop for Sub Rosa, 1996-2003.

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

New Africa gives a photographic redefinition of the African territory, influences and cultures. Beyond Afro-pessimism and outdated folklore figures, this publication reveals the multiple identities of the Arab-African human being.

An innovative examination of Jeff Wall's photography.

This richly illustrated catalogue presents the work of Florence Louise Petetin in all its variety: paintings, drawings, graphic works, performances, texts, video, etc. In appendix, a selection of texts and poems by the artist.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

First release of Gerhard Rühm's Radio-Play “Masoch”. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape.

The social dimensions of artist's books.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

Six hundred watercolors realized by Yvan Salomone during the first fifteen years of his career (1991-2006).

Reference monograph.

New expanded edition: this reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation.

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

Comprehensive monograph.

Critical texts by Kim Gordon brought together for the first time.

A double portrait of Libya.

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

An anthology on new musical forms in the 20th century.

Anne Van der Linden's drawings and paintings from 2008 to 2014.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

Milanese photographer Giuseppe Pino is known as a refined portraitist and an extraordinary observer of the jazz universe. This book contains timeless faces that have marked the past century, including Vladimir Nabokov, Andy Warhol, Frank Zappa, Giorgio Armani and more.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

On Purpose and Urgency: Cory Arcangel, Defne Ayas, Angie Keefer, Adam Kleinman, David Levine, Chus Martínez, Seth Price, João Ribas, Carey Young, Akram Zaatari; On Art and the Distributed Spectacle, Kevin Beasley, Caleb Considine, On Cooperation, Thomas Eggerer, GCC, hobbypopMUSEUM, Christina Mackie, Steve McQueen, Alan Moore by Hans Ulrich Obrist, Jon Pestoni, Pots on Video, Charles Ray, Tabor Robak, The Artist as Curator (a serial publication debuting in this issue), Luke Willis Thompson, The Value of Art Criticism, Dena Yago...

Issue 01 of the zine edited by Jacopo Benassi et Federico Pepe (Le Dictateur): a series of photos taken by Benassi during an evening of performances and concerts at Btomic in La Spezia (Emidio Clementi & Corrado Nuccini, Little Debbie, Khan, Nicole Boitos, Lori Goldston, Z'ev, El Vez, C.J. Ramone...).

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

First monograph.

A catalogue that proposes an open narrative through the objects on display and questions the position contemporary design plays in the dialogue between people and every day objects.

First extensive publication devoted to the French artists duo.

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

Retrospective monograph: the first complete publication dedicated to Pierrette Bloch' practice from the 1950s to the 1980s.

Reference monograph.

Chilean journalist and independent curator Valentina Montero outlines some of the milestone events and moments that led to Chile's advanced neoliberalism, and its effects upon education and culture, detecting signs of hope in the lively student movement that emerged in 2011.

All musics done for Jean Dubuffet's Coucou Bazar show.

First French translation of the 1983 artist's fiction book by Richard Prince.

A new work based on a series of photographs made by Richard Prince when he was student in France (artist's book): a window into Prince's formative period.

New monograph.

The first collection of Doug Ashford's writings and conversations.

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.