Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

Special Beatles Studies issue.

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.

Part document, part photographic album, this artists' book by Jos de Gruyter and Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in the historical province of Pomerania.

An artist's book on worldwide monetary iconography.

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

The semi-autobiographical account of the life of a young German in the 1960s, between Germany, Israel, and The United States. First translation of philosopher Reiner Schürmann's only literary work, originally published in French in 1976.

The comic strip adapted from the eponymous novel by Costes.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

A musical, ecological and philosophical production for which Guigou Chenevier signs the score.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

A 48 pages book of drawings by Costes, with all the lyrics of the 10 songs that are on the accompanying CD.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

A collection of essays and interviews on the issue of curatorship in contemporary art with Pierre Restany, Zoran Kržišnik, Harald Szeemann, Daniel Buren, Charles Esche and Walter Benjamin.

Mousse 51 is a photo issue dedicated to exhibitions from 1985 to 1995, the last ten years or so before exhibitions went online, and possibly, before the exhibition view became a requisite genre.

Artist's book in two volume.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

An original reading of Pier Paolo Pasolini's work and “impulses”, between aesthetic and psychoanalytic reflection.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

Issue number nine tackles all manner of sports and games, providing commentary on their language, politics, and philosophies.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

New monograph.

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Collection of poems following the tale of a Queen who meets with her evil Doppelgänger in the form of an Angel.

Proposals for an ecology of diagnosis.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.