A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

Navigation and montage in Harun Farocki's work.

A complete light on the unpublished work given by Jean-Pierre Raynaud to Ukraine, a modern version of Picasso's Guernica, a universal symbol of the denunciation by art of the horrors of war, whose exact monumental dimensions the French conceptual artist now takes up in order to realize, almost a century later, the counterpart according to his own aesthetic codes.

A musical version of legendary Italian designer and artist Enzo Mari's rare book The Function of Esthetic Research (1970), singed by a computer-aided software.

The extraordinary journey of the Ivorian-Burkinabé stylist Pathé'O, icon of African fashion.

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

Tori Kudo's ceramics.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

In Perpetual Slavery, Ciarán Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labor haunted and structured by the historical experience of slavery.

Unreleased tapes from the 70s and 80s.

The transposition of an exhibition into a book format, spatialising concrete poetry on the page (artist's book).

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

Repress of Coil's final studio album and absolute masterpiece, re-cut from original Peter Christopherson approved masters.

The first release of celebrated London-based Canadian composer Cassandra Miller's music on vinyl, presents a pair of compositions for voice and ensemble that exemplify her gently absurd, strikingly beautiful, and utterly unique work.

A true homage to the low end: six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

Repress of the Lebanese trio's 2014 album, born from Raed Yassin and Charbel Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, disassembling and re-configuring the work and style of the iconic guitarist's innovative take on Arabic music.

Lisbon based keyboardist João "Shela" Pereira's new strangely haunting album.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).

The second in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music, featuring exclusive music from Kali Malone, Jessica Ekomane, Mats Erlandsson, Theodor Kentros, Wilma Hultén, and Maria W. Horn.

Through powerful portraits and incredible surf scenes, Brown W. Cannon III's book NORTH chronicles the lives of surf people—and the community around them—along the North Shore of O'ahu, Hawaii.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

The English translation of the work that established the Icelandic author's literary career—an exploration of eroticism in extremism.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

New monograph.

New monograph.

New monograph.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

"For those who, despite everything, have decided to live, there will always be a home." A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.

The protocol and the action of the New Patrons: the radical transformation of the conditions of emergence and appropriation of the art as political act.

Catalogue of an exhibition centered on the work of the artist and writer Helen Khal (1923-2009), an influential figure in the Lebanese art scene.

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

As a prefiguration of its new formula, this issue of the Palais de Tokyo magazine is accompanying, but above all deepening

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.