Two contemporaneous bodies of artworks, which demonstrate the parallel tendencies of art in state socialist Hungary in the early 1970s.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

Come Closer: The Biennale Reader, published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present.

The book contextualizes the Creativity Exercises—an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977—within the postwar intellectual networks that connected artists, architects, educators, sociologists and other socially engaged professionals.

The art scene of Kosovo.

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

The beginning of Hungarian Conceptual art.

Czech artists of the 1960s–1970s.

A conversation between two artists, conducted in the form of spontaneous reflections on the images with which they confront each other.

This book is the first English-language publication that includes a comprehensive history of all the series of this photographer-duo.

Artist's book.

A global guidebook of transformation processes.

Artist's book.

Artist's book based on Sedá's work for Documenta 12.

Artist's book: first complete survey of projects by the young Czech artist arranged in jackets and brought together in a box.

A documentation on the Czech artist's work, based on a series of self-portraits.

Live audio “micro-improvisations” combined with live video manipulations.

First monograph dedicated to the Czech artist .

This book is the first complete edition of the actions, installations and interventions of Jirí Kovanda : a rediscovery in Conceptual art.

An attempt to make out the backgrounds leading to a turn towards documentation in art.