The shifting and troubled relationship of artwork and audience in network culture.

The function of utopian thinking in urban planning and spatial culture (based on the project by Sophie Warren & Jonathan Mosley).

Sound and auditory experience as platforms for social meeting, urban intervention and environmental investigation.

An investigation on the social and political dimensions of buildings and urban spaces, oferring multiple perspectives on the limits and creative possibilities of the built environment (edited by Ken Ehrlich and Brandon LaBelle, with contributions by Rachel Allen, Ava Bromberg, Jesko Fezer & Mathias Heyden, Nis Rømer, CM von Hausswolff...).

Identifying an intensified concern for place-based production in art and architecture, Surface Tension – Supplements addresses questions of site-specific art, public and architectural design, and location-based practice. This 3rd issue extends artistic research and work taking place since 2006 in Brazil.

Identifying an intensified concern for place-based production in art and architecture, Surface Tension – Supplements addresses questions of site-specific art, public and architectural design, and location-based practice.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

Four works based on four performances.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

A Circle of Grey is an electroacoustic composition blending philosophical contemplation on transience, impermanence and musical exploration.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

This book presents proposals for the transformation of Ernst-Reuter-Platz, a city square in Berlin. They are the results of a process of auditory artistic research and design developed according to a new radical approach on the relationships between aural activity and environment.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

Conceptualized by Nina Canell and Robin Watkins, this monograph accompanies the artist's first solo exhibition in Asia and consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation. Contextualized by both recent and earlier works, the exhibition and book considers sculpture as a medium of storage, transmission and reception.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

First monograph.

Brandon LaBelle's revolutionary diary during the Arab Spring.

A recording of John Cage's original text as read by a deaf individual (audio CD with booklet).

A collection of the audible traces of dancing bodies (audio CD with booklet).

Dirty field recordings, found sounds, sound effects, archives, and sonorous dramas, composed as a series of micro-narratives each designed to intervene onto imagined settings or spatial locations, as a counter-sonorities.

A project based on archiving people's memories connected to specific songs and radio broadcasts. Includes over 100 memories from around the globe, along with contributions by curators and theorists Bastien Gallet and Carmen Cebreros Urzaiz, and an audio CD of related work by the artist.

An overview of sound installations and environments by the experimental artist-musician, with three essays and an interview, a specific project, installations views and performances on audio CD.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.