An essay that renews the study of Gauguin, highlighting the consistency that connects the entire production of the painter, based on his exploration of the relationship between perception, cognition and imagination, and that connects his interests in psychology, ethnology, history of religion and the natural sciences, not to mention the art of all times and all cultures.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

A collective essay as much as an exhibition catalogue, dedicated to the imaginary of the savage, from the 15th century to the contemporary culture, based on Rousseau's conception of state of nature.

A selection of unfavourable articles on Gauguin.