Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

Sixteen exhibitions and four video works by the artist, in an original handmade screen-printed cardboard box.

Limited edition of Betty Bui's DVD, turned to a night light.

Retrospective monograph (also available in English edition).

Retrospective monograph.

In this essay, Franck Leibovici attempts to describe how information technologies can serve as tools in our lives. Illustrated with examples taken from the scientific, political and artistic spheres, his reflection leads to a new division between art and science.

A collection of digital artworks.

Daniel Buren, Ugo Rondinone, Mike Kelley, Donald Judd, Plamen Dejanov...

Allen Ruppersberg, Angela Bulloch, Nicolas Bourriaud, Maurizio Cattelan, Sylvie Fleury, John Miller...

Cartsen Höller, Dan Graham, Mike Kelley, Liam Gillick...

Allan McCollum, Nicolas Bourriaud, Angela Bulloch, Liam Gillick, Daniel Buren, Pipilotti Rist...

Rirkrit Tiravanija, Pierre Huyghe, Felix Gonzales-Torrès, Barbara Steiner...

Paul McCarthy, Philippe Parreno, Sylvie Fleury, Erik Dietman, Bertrand Lavier, Dominique Gonzales-Foerster...

George Brecht, Eric Duyckaerts, Jason Rhoades, Robert Altman...

Carsten Höller, Harald F. Müller, Jacques Lizène, Louis Bec, Frédéric Bruly Bouabré, Odeurs...

Bernard Bazile, General Idea, David Cronenberg, Liam Gillick, Julia Scher, Lily van der Stokker, Xavier Veilhan...

An anthology.

This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists.

A collection of documents of Tom McCarthy's “semi-fictitious organisation” International Necronautical Society, cofounded with Simon Critchley.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A major study in art history in which Sophie Leclercq, drawing on and analyzing multiple sources, texts, and visual documents, sheds light on a blind spot in French colonialism: how, between 1870 and 1960, children were taught about colonial conquest through edifying imagery, and how their view of colonized populations was shaped?

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

The first monograph dedicated to the Neapolitan feminist and pacifist artists' group.

This publication aims to provide a critical and profound reading of Alice Neel's humanism, constructing a journey through her artistic and personal life. The book includes texts by academics and artists, enriched by an extensive number of illustrations, archival photographs and documents.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Centered on the Al Ahsa region, one of the world's oldest and largest oases, Maghras: A Farm for Experimentation (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

A book of drawings by artist/composer Nickolas Mohanna that mirrors various sound compositions with an economy of gesture at its core. playful in form,

A major retrospective monograph, published on the 20th anniversary of Arman's death, presenting the artist's visual works from the 1950s to the 1990s, as well as his lesser-known yet radical performances, with a text by Bernard Blistène and numerous illustrations from archives and documents.

Documents artist Liam Gillick's process in building a functioning weather station for Fogo Island, Newfoundland.

The publication "Travail à façon" by French artist Élisabeth Ballet presents research carried out with the textile industry between 2011 and 2022.

Issue 1 of Fidback, the film journal edited by the FIDMarseille festival, with a a look back at the 35th edition of the festival, a focus on films that made waves on the global cinema scene in 2024, a carte blanche to Clara Schulmann, and a portrait: of the artist and filmmaker Declan Clarke by Alice Leroy.

The Zurich-based artist reinterprets the fear of emptiness from a feminist, psychological and socio-political perspective, through a pictorial reappropriation of the aesthetics of bureaucratic documents.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

The first comprehensive survey of fifteen years of work by Belgian-Brazilian artist Elen Braga.

This book is a visual and geographical journey through the artist's work and exhibitions, enriched by five original samples—olive leaves, charcoal, street paper, earth and seaweed—inserted and activated by hand according to the artist's recommendations.

Jochen Lempert brings his signature blend of scientific sensitivity and poetic vision to the remote Greek island of Kastellorizo.

The tenth and final anthology from Blank Forms offers an exceptional insight into the work, working methods and thinking of the French pioneer of musique concrète and electroacoustic composition Éliane Radigue, through key texts, a wealth of archival documents, in-depth interviews and commissioned essays.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

A collection of photographs and interviews in the form of a journal, documenting the exploration of the Saint-Sernin and Arnaud-Bernard districts of Toulouse (France), which were invested as part of the third edition of the contemporary creation festival Le Nouveau Printemps 2025.

Keeping up the tension between exhibition catalogue and monograph, Impasse des Lilas explores the interweaving of theories, personal histories, objects and projects that define the architectural practice of MBL.