A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

Deciphering Duchamp.

Taking as a starting point Hamilton's “Reaper” series—inspired by the work of Swiss historian and critic of architecture Sigfried Giedion—this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.

First publication in French on a major figure of British Pop Art, this essay analyses notably the questioning of the contemporary appearances in Richard Hamilton's works.

This special boxed set, numbered 1 to 50, contains Franck Scurti's DVD Ulf Linde – Marcel Duchamp: Certifié pour copie conforme, Pascal Goblot's DVD Richard Hamilton dans le reflet de Marcel Duchamp and Pascal Goblot's book To be Broken / À refaire le Grand Verre, plus a silkscreen print on transparent film.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The third issue of the critical review Dixit in which the words of the architectural practice OFFICE Kersten Geers David Van Severen and the Brussels artist Richard Venlet confront each other around the theme of "Still Life".

9 interviews (Carroll Dunham, Genesis Belanger, Jonathan Gardner, Djamel Klouche, Yorgos Sapountzis, Elizabeth Glaessner...), 9 exhibitions and places in pictures (Dominique Gonzalez-Foerster, Pierre Huyghe, César, Sarah Lucas, Richard Hamilton's house in Cadaqués...), some artists special projects and texts (Ashley Bickerton, Sean Landers, Lily Van der Stokker, Peter Halley, Heidi Bucher), exhibition reviews, and chronicles.

A study of the body of concrete poetry in the MAMCO collection.

Art, environment and climate emergency.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

In this book, together with Pierre Chabard, Philippe Vander Maren and Richard Venlet explore and explicit the design process of House D through a set of unpublished work documents such as sketches, scale models, series of annotated plans, collages and pictures.

François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers (special issue of the critical review dedicated to graphic design).

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

The best of 2018: a renowned group of critics, artists, and curators from around the world—Kerry James Marshall, Johanna Fateman, Helen Molesworth, Douglas Crimp, Eungie Joo, Jack Bankowsky, David Rimanelli, Catherine Wood, Caroline Busta, Lanka Tattersall, Harry Cooper, Pauline Yao, and Claire Tancons—take stock of the year in art. 38 artists from around the world choose the most striking work, event, or exhibition of the year with responses from Kerry James Marshall, Barbara Kreuger, Genesis Breyer P-Orridge, and more. Plus, Top Tens on the best in film, music, books, and performance from John Waters, Vaginal Davis, and Melissa Anderson, and a special section on “The Year In Monsters.

Visions of Apocalypse.

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

Anniversary issue concerned with performance acts in relation to the body as sculpture. Featuring essays on immobility in 1990s performance art, the deadpan inertia of the sculpture-body, immobility in the works of Gathie Falk and Megan Rooney, dialogue between the works of Kimsooja and Emma Hamilton, the relationship berween the human body and the object, the “cadaverous sculptures”, an interview with Sylvie Tourangeau, “Event” section, exhibitions and books reviews…

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

Dedicated to the complex, proliferative and innovative work of a major figure in the art of the second half of the XXth century, this comprehensive monograph highlights Dieter Roth's creative processes and the way he pushes them to the limit.

Essays and conversations about the practice of exhibition making; artistic projects and conversations of artists and curators (Ruba Katrib and Anthea Hamilton, Anna Gritz and Richard Sides, Diego Perrone by Cecilia Canziani, Parker Ito by Liv Barrett, George Henry Longly and Nicoletta Lambertucci, Michele Abeles and Margaret Lee, Ian Cheng, Tilman Hornig, Sara Cwynar...).

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

Documenta 4 in film.

An anthology of key texts dedicated to the relationship between art and science-fiction.

Exhibition catalogue on the theme of flowers.

Edited by Marc Dachy, this first CD devoted exclusively to Marcel Duchamp brings forth some very rare documents of the '50s.