This book displays the unseen early artworks from Loulou Picasso while he was in art school till the begining of Bazooka in 1976. It also includes some collaboration with Olivia Clavel and Romain Slocombe. Foreword by Genesis P-Orridge.

Loulou Picasso's paintings about childhood and adolescence.

Twelve Romanian landscapes (oil on canvas).

Picasso in front of the TV: unexpected links between the media—especially television—and Picasso's work.

A selection of unfavourable, violent, conformist, sceptic or narrow judgments on Picasso, published in French and international newspapers (Le Figaro, The Daily Mail, Les Lettres françaises, Life...) between 1917 and 1973.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal : contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

A selection of sculptural works and installations by a prestigious line-up of contemporary artists from across the globe (Alicja Kwade, Daniel Buren, Lee Ufan, Bertrand Lavier, Ugo Rondinone) on the Côte d'Azur, outside their usual exhibition context.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

Reference monograph.

Reference monograph.

A complete light on the unpublished work given by Jean-Pierre Raynaud to Ukraine, a modern version of Picasso's Guernica, a universal symbol of the denunciation by art of the horrors of war, whose exact monumental dimensions the French conceptual artist now takes up in order to realize, almost a century later, the counterpart according to his own aesthetic codes.

A selection of Tanaami's Picasso's series.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

A panorama of the contemporary underground graphic scene, at the crossroads of drawing, comics and illustration, through the exhibitions, the numerous collective projects and the works of more than fifty international artists associated with the history of the mythical Parisian gallery Arts Factory (from Nine Antico to Willem through Charles Burns, Stéphane Blanquet, Hervé Di Rosa, Kiki & Loulou Picasso, Killoffer and Pierre La Police).

A retrospective of the "retinal" painter's work, since the early 1980s.

Afterall issue 52, entitled "New Politics", featuring: contextual essays by Natalia de la Rosa, Thomas (T.) Jean Lax, Pascal Gielen; Jonas Staal by Sven Lütticken, Jonas Staal by Kim West, Kapwani Kiwanga by Elvan Zabunyan, Aldo Tambellini by Hanna B. Hölling, Aldo Tambellini by Barrington Matthew, Feminist Art and Activism in South Korea by Hyeonjoo Kim...

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

Reference monograph.

English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

An anthology.

Jean Laude's writings on art.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

Jean Dubuffet, Art Brut, and the primitivist paradigm.

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

Editor-in-chief David Velasco introduces a special artist project by Martine Gutierrez, Bruce Hainley on the art of Cady Noland, Daniel Marcus on Picasso: Blue and Rose, Kaelen Wilson-Goldie on the art of Banu Cennetoğlu, plus a special previews section with over 40 exhibitions worldwide; including Nari Ward at the New Museum, Wong Ping at Kunstalle Basel, the Sharjah Biennial, and more.

This graphic anthology is dedicated to Elvifrance, the scandalous French publisher of erotic comic books whose catalogue was under the fierce scrutiny of French censorship authorities from the 1970s to the 1990s. The publication takes a look back at this infamous history through many unpublished archives and a wide selection of covers. It also features an ensemble of covers revisited by some forty contemporary graphic artists.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

A historiographical study of German art theorist, writer and activist Carl Einstein (1885-1940), that also explores several layers of the history of the early twentieth century, and proposes a critical reflection on some epistemological tropisms of today.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Special issue published to celebrate the 22nd edition of L'Étrange festival—dedicated to the strangest and most provocative cinema.

Publication dedicated to the Versos series, in which Philippe Gronon photographs the verso side of paintings by ancient and modern masters. With a foreword by Hubert Besacier.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

The graphic tabloïd's brand new issue—for the first time in full color.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.