From Picabia's unpublished love letters to a philosophical and aesthetic inquiry on art, through Goethe, Schlegel, Hegel, or Baudelaire.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

This book brings together Bernhard Rüdiger's theoretical texts on the questions of language and form in contemporary art, seen from the perspective of the possibility of thinking them within the paradigm of shock or awe.

The ninth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

Issues 35 to 37 of the critical review dedicated to graphic design.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

An anthology.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

Marcel Duchamp, Henri-Pierre Roché, and the Neuf Moules Mâlic (Nine Malic Moulds): the genesis, the history and the destiny of an artwork as exceptional as the relation between an artist and his collector, of which it was the vector.

A collective reflection on the historical stakes of French avant-garde movement Lettrism.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

Etel Adnan, Dike Blair, Thomas Huber, Dorothy Iannone, Mathias Kiss, Tiziana La Melia, Stéphane Lecomte, Jan Melka, Mario Milizia, Francis Picabia, Vimala Pons, Laure Prouvost, Louise Sartor, Ashley Hans Scheirl, Alice Wietzel...

Modernist master Florine Stettheimer; South Korea's gangster cinema; saving the National Endowment for the Arts; interviews with Charline Von Heyl and Christodoulos Panayiotou; “Negative” section with Rei Kawakubo, Eurovision, Macron, and more; reviews and summer's agenda; portfolio by Jane Chang Mi…

Elise Duryee-Browner / Angela Davis and Gina Dent's conference in Paris / Georgia Sagri at documenta 14 / interview with Ilaria Bussoni / Georges Didi-Huberman at Jeu de Paume / Tobias Madison on the film Two A.M. by Loretta Fahrenholz / Amelie von Wulffen / Yuki Kimura / “The Color Line: African-American Artists and Segregation” at Musée du Quai Branly / Morag Keil / Greg Parma Smith / Carole Boulbès on Picabia's retrospectives in Zurich and New York / Short Story, Jeanne Graff / Weather Report / Jean-Luc Moulène / Bernadette Corporation.

Anne Pontégnie on Daan van Golden; Sérgio B. Martins on Ferreira Gullar; Documenta 14; Christo & Jeanne-Claude's Running Fence; Alex Schweder and Ward Shelley's ReActor; exhibition history: Hans Haacke in Frankfurt, 1976; Top Ten by Sol Calero; Omar Kholeif on Nil Yalter's Le Chevalier d'Éon; the art of Michael Williams; reviews from Francis Picabia and Raymond Pettibon's exhibitions in New York, and more.

This historical essay assesses the impact of Dadaist ballet Relâches on the French artistic community by restoring the historical context that has transformed the collaboration of Picabia, Satie and Börlin into a unique event in the history of dance and performance.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

A journey through pivotal moments of the history of experimental cinema.

A panorama of Ben's conflicting ideas and various activities since 1959.

Catalogue gathering the works of Ivan Messac: bas-relief sculptures; printed textiles, and series of paintings dedicated to Adam and Eve or Maïakovski. A collection of works inspired by Pop iconography, in which we also meet Pessoa, Picabia, Hendrix, Jimmy Page…

A book envisaged as a critical work based on exhibitions bringing together eight French and British artists: a new approach to contemporary painting, beyond the traditional opposition between figuration and abstraction.

The work of an underestimated writer, a founder of the Ultraism, initiator of Dada in the 1920s Spain.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

The first book bringing together Mike Kelley's autobiographic works since 1995, and offering an overview of the development of Kelley's practice.

“Duchamp, Man Ray, Picabia”, Xavier Veilhan, Candice Breitz, Karen Kilimnik, Sturtevant, Gerhard Richter, 5e Biennale de Berlin, Wade Guyton / Kelley Walker, Jacques Garcia / John Armleder, Simon Starling, Louise Bourgeois, Christopher Williams, Willem de Rooij / Jeoren de Rijke... (5 texts in English).

A collection of the painter's writings (poetry, interviews, chronicles, previously unpublished texts and documents) who, between the 1930's and the 1970's in St-Germain-des-Prés, never ceased to explore language and to work with words as if with an unprocessed and unlimitted material.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage.

Reprint of the first Dada anthology (Berlin, 1920), with Tzara's chronicles, manifests and documents.

Catalog of one of the most important private collections of contemporary art.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).