The use and status of literature and arts in Guy Debord's thought.

Theory, Spectacle and Film in the thought of Guy Debord and Raoul Vaneigem.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

Performance art with a “low artistic coefficient of visibility”.

A "football-oratorio" that replays the 2006 World Cup final match between France and Italy.

The different aspects of the work of Marcel Mariën (1920-1993)–member of the surrealist group of Brussels, poet, creator of images, publisher, theoretician and political activist, accomplice of René Magritte and Guy Debord.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.

Performance art with a “low artistic coefficient of visibility”.

A journey covering several episodes of Situationist International.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

A history of poetry-performance in Paris, from the post-war period to May 68.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Exploring the relationship between the Situationist International and the museum.

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

Imposture, falsification and diversion.

First publication dedicated to Isou's extensive work with hypergraphics.

Dominique Gonzalez-Foerster, Richard Phillips, Philippe Parreno, Willem de Rooij, Camille Henrot, Kirsten Everberg, Laurent Grasso, Davide Belula, Rob Pruitt, Fabrice Gygi, Ida Tursic & Wilfried Mille, Sturtevant, Joachim Koester, Peter Halley, Luigi Ontani, Andreas Gursky, Haim Steinbach, Sol LeWitt, Gerhard Richter, Guy Debord...

This second issue brings together contributions reflecting on the political commitment and literary work of Jean-Marc Rouillan, and shedding light on three of Rouillan's most important influences today: philosophers Daniel Bensaïd and Henri Lefebvre, and activist Pierre Goldman (with contributions by Véronique Bergen, Charles Pennequin, Julien Blaine, Rada Ivekovic, Pierre Linguanotto, Laurence Denimal, Stéphane Nowak Papantoniou…).

Pierre Huyghe, Didier Marcel, Guy Debord, Benoît-Marie Moriceau, Elmgreen & Dragset, John McCracken, 8th Qwangju Biennale, Oscar Niemeyer, Allan McCollum, Olaf Nicolai, Herzog & de Meuron, Karen Kilimnik, Marc Camille Chaimowicz...

This volume assembles articles that investigate the question of the possible and the impossible in politics. Discussing thinkers such as Agamben, Badiou, Foucault, and Debord, Beyond Potentialities? explores different perspectives and highlight the relevance of this issue for contemporary political thought.

A new perspective on Situationist International, with unreleased documents and texts by Beaudrillard, Agamben, Hirschhorn, Sloterdijk, Obrist...

A collection of texts and interviews by the art critic and independant curator (John Armleder, Mehdi Belhaj Kacem, Guy Debord, Jean-Luc Godard, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Michel Houellebecq, Pierre Huyghe, Jacques Lacan, Jean-François Lyotard, Olivier Mosset, Philippe Parreno, Andy Warhol...).

New edition of the Letterist manifesto, with an original artwork of inter-participation, consisting of a photograph torn by the artist and inserted in an envelope.

New edition of the Letterist manifesto.