A study of political and ideological stakes of Beuys' oeuvre and its myth in Germany.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The most complete monograph devoted to the Belgian artist of Spanish origin, heir to Ensor, Broodthaers and Beuys.

How art and the artist inspire business: an examination of the origins of this relationship from Joseph Beuys and Andy Warhol.

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

The relationships of art and pop music from the 1960s to the present.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

This collective study examines the influence of Joseph Beuys's concept of social sculpture in the evolution of artistic practices from the 1970s to the present day.

An overview of study programs teaching socially engaged art.

The sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann.

Henning Christiansen: Freedom is Around the Corner, the third issue of Blank Forms' journal, is released in conjunction with a retrospective exhibition and performance series of the same name, devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).

The articles and interviews included in this issue of Flash Art address the human body, introducing artistic practices that push the body's physical boundaries and challenge its codified representations. With Luchita Hurtado; special feature on artist, educator, curator, and cultural theorist Ian White; Lena Henke; Martti Kalliala on the transformational experience of Burning Man; Eric N. Mack; Stefano Sollima; Bruce Nauman by Isabelle Graw (on Flash Art March-April 1993); exhibitions reviews.

A two-record album of 21 original sound works by artists who exhibited at the Ronald Feldman Gallery in New York—including Eleanor Antin, Joseph Beuys, Chris Burden, Terry Fox, William Burroughs…

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…

An anthology of texts on the work of Sigmar Polke written between 1973 and 2000.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities, with an original artwork signed by Ricciotti.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

Rethinking public space.

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

Imposture, falsification and diversion.

An historical and theoretical investigation into art teaching and transmission.

Benjamin Sabatier shells over the alphabet the founding principles of his work.

Benjamin Sabatier shells over the alphabet the founding principles of his work. This limited edition is accompanied by a can compression, a unique signed piece.

Artist's book: Joël Hubaut's ABC (“a compressed, unprecise mini ABC of the art of living for the young generations in art schools in particular and for everyone else in general”).

A collective essay as much as an exhibition catalogue, dedicated to the imaginary of the savage, from the 15th century to the contemporary culture, based on Rousseau's conception of state of nature.

Documenta 4 in film.

Documenta 5 in film.

Richter's texts, essays, letters, manifestos, and interviews.

Richter's texts, essays, letters, manifestos, and interviews.

New monograph / artist's book.

An interview with Jean-Christophe Ammann.

Retrospective monograph dedicated to one of France's major proponents of body art (available in English edition).

Retrospective monograph dedicated to one of France's major proponents of body art.

A set of 83 previously unpublished historical works from the 60's (artist's books with collages, drawings, watercolors and paintings), with an essay by Pierre Péju: early works that, under a minimalist and fragile appearance, announce most of the major themes developed in Kiefer's later grandiose oeuvre.

A panorama of Ben's conflicting ideas and various activities since 1959.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).