An anthology re-mapping the relations between the modernist utopia of neutrality and that of the psychedelic moment.

Charley 01 features 400 emerging artists from around the world, selected by a pool of international artists, curators, critics and art professionals (works by Martin Boyce, Mark Handforth, Olaf Breuning, Franz Ackermann, Christoph Büchel, Barthélémy Toguo, Jonathan Meese, Mathieu Mercier, Wade Guyton, Mark Leckey...).

The book includes an extensive interview with the Swiss artist and an inventory of his work.

An anthology of Parreno's writings.

First monograph on the artist / poster.

A poetic odyssey on solo piano.

Created in the Musique Action Festival of 1999, this recording is a collaboration between two trailblazers of new music.The duo convey their strong sonorous density through short and intense compositions, in which improvised music meets progressive rock.

First monograph on the artist.

From “polemical” texts to extensive theoretical essays, passing through Ed Ruscha, Bruce Nauman or John Baldessari, these writings have proved to be among the most challenging ones.

An envelope containing an invitation to meet the artist at the Eiffel Tower on October 13th, 2008 at noon.

12 “sentimental” postcards, by Christian Boltanski, Douglas Gordon, Jenny Holzer, Koo Jeong-A, Barbara Kruger, Bertrand Lavier, Fiorenza Menini, Jonathan Monk, Liisa Roberts, David Shrigley, Niele Toroni, Lawrence Weiner.

Published on the occasion of the exhibition Air-Air - on the inflatables structures theme - at the Grimaldi Forum de Monaco (Philippe Parreno, Yayoi Kusama, Sylvie Fleury, Lee Bul, Carsten Höller, Takashi Murakami, Bertrand Lavier, Andy Wharol, Kenji Yanobe, Archigram...).

Two artist's books reprinted with a third book never published.

Catalogue.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

The meeting, on the Niger River, between contemporary improvised music and African musical traditions.

An anthology of texts on the problematic notion of "alterrnative", based on curatorial and artistic practices.

Live recording of two performances given by the artists in France.

Flip book realized from the Loop cartoon 16mm film.

Artist's edition: three books batch ("philosophy", "history", "economy").

Artist's book.

The film and video biennale catalogue.

Collection of texts (Alexis Vaillant, Daniel Soutif, Jean-Marc Avrilla, Marc Blondeau, Daniel Bosser, Carine Campo, Laura Carpenter, Simone de Cosi, Sylvie Couderc, Lidewij Edelkoort, Bernard Edelman, Jean-Louis Froment, Michel Gransard, Stéphane Mallarmé, Christoph Sattler, Estelle Schwartz, Philippe Thomas, Michel Tournereau, Georges Verney-Carron).

First artist's book by Morris.

Artist's book.

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

An essay to demonstrate Fourier's fundamental role in the emancipation of women and the transformation of society, "for the sake of imagination, of permanent interaction between sensitivity and reason."

Monograph.

37 minutes sound piece realized in 1995 (limited edition).

35 copies limited edition poster, signed.

Ten French, American and German philosophers come together in discussion around several of the major problems raised today in æsthetics.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

A mix of absurd poetry and homemade music, these seven songs and two instrumentals give life to Frédéric Le Junter and Pierre Berthet's musical creations founded on quirky objects.

Unreleased recordings from Vandoeuvre's Musique Action Festival, produced between 1998 and 1992 for the festival's 10th anniversary. The blossoming style of the music of the 80s can be heard throughout the album.

16 colour postcards

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

Reference monograph.

The use of concrete in visual arts, from 1976 to 1987.

Special ioffer for the purchase of the two volumes of Marcel Joray's book.

The first edition of Julien Blaine's "metaphysical poems".

These tracks were recorded during the 1985 Musique Action Internationale festival, organised by CCAM. This vinyl record is a remnant of those days dedicated to new music.

Reference monograph edited by the artist, with introductions by Octavio Paz and John Golding.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

The use of concrete in visual arts, until the late 1970s.

Pocketbook.

Pocketbook.

Pocketbook.