Stéphanie Moisdon (born 1967 in Paris, lives and works between Paris and Lausanne) is an art critic and curator. She is associate curator at
Le Consortium in Dijon, and dean of the Visual Arts Master at the Ecole Cantonale d'Art de Lausanne,
ECAL. She is co-founder of the
BDV (Bureau des vidéos) and
Frog magazine with
Éric Troncy. She is a regular contributor to
Artforum,
Beaux Arts Magazine,
art press,
Purple,
Self Service…
She has curated numerous exhibitions such as "1984-1997. La décennie" at the Centre Pompidou Metz (2015-2016), "
Sturtevant Sturtevant" at the MADRE in Naples (2016), the monographs of Heji Shin (2021),
Nick Relph (2020), Mathieu Malouf (2019), Nicolas Ceccaldi (2018), Willem de Rooij (2016),
John Armleder (2015),
Richard Hawkins (2014), as well as "The World as Will and Wallpaper" (from Michel Houellebecq), at Le Consortium (2012). She was the curator of the
9th Lyon Biennial (2007), Manifesta 4, the European Biennial in Frankfurt (2002), "Présumés innocents, l'art et l'enfance" at the
Capc Musée d'Art Contemporain de Bordeaux (2000).
Since 2006 she is directing the experimental school "L'École de Stéphanie" that took place in different institutions between Paris, Turin, Bienne, Berlin, Toulouse.
She is the author of several monographs, among others
Jean-Luc Verna, Les Roches Noires (Flammarion, 2017),
Marnie Weber (Le Magasin, 2011),
Dominique Gonzalez-Foerster (Hazan, 2002).
