The first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison's videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

A "copy and paste" fiction.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

Extensive monograph with serigraphs.

108 textual fragments of a journey through the Eastern United States.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

Three interviews with the President for life of the Ouest-Lumière Company.

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

Art and context.

A selection of photos of the town where lives the artist Francis Alÿs.

For this luxurious artist's book (transparent cover and pages, leaflets, inserted pages).

50 copies limited edition, signed by Gerhard Merz.

Gathering images and texts, this artist's book sums up two years of work with French disabled war veterans.

A tribute to the artist who passed away in 2004.

Mapping collaboration in Swiss art.

This artist's book presents a series of works by Joan Rabascall realized in small plastic TV screens, parodying the kitsch of TV series: a playful journey with the popular culture icons of the XXth century. Full colors photos are accompanied by a text by Masashi Ogura, evoking the determining place of the small screen in Japanese culture.

Films, videos, photographs and installations following the theme of landscapes and urban views, questioning our relation to city and nature.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

First monograph (works 1999-2004).

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Catalogue of the 13th RIAP in Quebec.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

The book concentrates on spatial concepts in contemporary painting.

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

Writings and drawings.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

New drawings, designs and an essay by American graphic artist and filmmaker.

Mike Kelley's major interviews and critical essays.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

Reference monograph.

An urban journey.

First monograph.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

A re-edition of the original cult book of well known Swiss photographer.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists. The limited edition is accompanied by an unique artwork, made on its case.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists.