A tribute to the artist who passed away in 2004.

Mapping collaboration in Swiss art.

This artist's book presents a series of works by Joan Rabascall realized in small plastic TV screens, parodying the kitsch of TV series: a playful journey with the popular culture icons of the XXth century. Full colors photos are accompanied by a text by Masashi Ogura, evoking the determining place of the small screen in Japanese culture.

Films, videos, photographs and installations following the theme of landscapes and urban views, questioning our relation to city and nature.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

First monograph (works 1999-2004).

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Catalogue of the 13th RIAP in Quebec.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

The book concentrates on spatial concepts in contemporary painting.

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

Writings and drawings.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

New drawings, designs and an essay by American graphic artist and filmmaker.

Mike Kelley's major interviews and critical essays.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

Reference monograph.

An urban journey.

First monograph.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

A re-edition of the original cult book of well known Swiss photographer.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists. The limited edition is accompanied by an unique artwork, made on its case.

A reproduction of handwritten notes, accompanied with sketches, in which Fabrice Hyber explains his conception of the role of art and artists.

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

An exploration of the body in contemporary culture (artist's book / collection of texts).

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

First monograph on Irish artist.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Catalogue.

Monograph.

Artist's book (photographies).

This book gives life back to 72 aborted projects by publishing the preliminary works—plans, schemes, drawings, graphics, photographs, writings—kept by invited artists.

German artist's "word-images" (early works).

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

This first monograph (both a study and an essay) highlights the diversity and span of Adrian Schiess' work.

A retrospective catalogue of the exhibitions organized by the FRAC Champagne-Ardenne in Reims, as well as an exhaustive presentation of the collection with reproductions, index, comments and analyses.

Inside the artist's apartment and studio.

Images and associated texts on a same level for a strange universe evoking our audiovisual and virtual culture