Group exhibition catalogue exploring the theme of space from several angles (the public space from the viewpoint of legislation, individual liberty, social linkage, architecture and city- or town-planning; the exhibition space).

Exploring the boundaries of scientific practice and art.

Subverting the media and other artistic strategies.

A series of bit papers, resulting of a one year long action by the artist / designer known for his work around this material.

Both an artist's book and a catalogue raisonné of Swiss artist's prints: the publication on the one hand recreates on the offset plates the construction of images in his works and, on the other hand, documents the development of bodies of works and themes.

A novella illustrated by Andro Wekua and Rita Ackermann.

Wim Delvoye's entire "Cloaca" project.

Wim Delvoye's entire "Cloaca" project.

This publication brings together the large-size graphite drawings of the last decade by painter and graphic artist Thomas Müllenbach, questionning our relationship with technology.

Artists' collectives.

Giordano Bruno's actuality.

Art and public spaces in the city.

A tribute to Tony Grand.

Curatorial project catalogue (with Keren Amiran, Jérôme Bel, Edouard Boyer, Daniel Buren, Aurélien Froment, Rainer Ganahl, David Jourdan, Wolf von Kries, Caroline Molusson, Daniele Perra, Pascal Poulain, Sal Randolph, Thorsten Streichardt).

Catalogue of two exhibitions: a thousand electric light-bulbs arranged in a grid on a flat aluminium support form the analoge frame that produces low-resolution video images.

For the first time this publications brings together the two Vancouver artists' unique styles of drawings and collage in a booklet inspired by modern dads “getting busy in their own time”

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

Photographic essay dedicated to Lina Bo Bardi's Glass House. Armando Andrade Tudela outlines the relationship between the light, the building's structure and its close environment. Glass House is a perfect example of the union of Modernism and Brazilian vernacular architecture, and Bo Bardi's first production in Brazil.

Exhibition catalogue.

Yann Toma explains what is Ouest Lumière and "Presidential Art".

Based on an exhibition curated by Christophe Cherix and John Tremblay at the Print Room of Geneva, this volume presents an overview of the use of vacuum-formed plastic in art of the last forty years.

Catalogue of the 14th RIAP in Quebec.

An artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of L.A.

A collection of photographs of mysterious territory.

40 scenarios of films, highlighting the relations between Sarkis' pictorial work, cinema and music.

Exhibition catalogue.

Book illustrated by Loredana Sperini, in which Elodie Pong (artist and filmaker) creates intimate dialogues in the SMS language form.

This publication, conceived by Peter Downsbrough, includes three unpublished texts and constitutes a real artist's book. A work on the notion of position and centring which questions the relationship between space and language.

From poetry to animation, from graphics to 3D work, from textile and wallpaper to paintings, Los Angeles-based graphic artist has created in his free work and in his commissions a unique imagery, which is detailed and abstract at the same time. Full of hands and teeth, objects and animals, skaters and bikers.

This fully illustrated catalogue focuses on Wesselman's erotic Drop-Out series, with an essay by John Wilmerding.

272 pages, 15 authors, 250 artworks (Rondinone, de Cointet, Decrauzat, Morris, Sandback, Creed, van Golden, Mosset...).

Photographs of the conceptual artist from the series presented at the Kunsthalle Zürich, with a text by John Kelsey.

New monograph on Adel Abdessemed's videos, installations, scultpures and drawings, as a critique of the various guises of oppression and violence in our modern societies, both in Western and Muslim culture. With an interview and an essay.

A translation of practice.

The first monograph by British born photographer, depicting the life around a bunch of skateboarders and their joy of living.

A new unconventional periodical publication by the Japanese artist / designer Yukinori Maeda (b/w, gold and silver printed drawings and photographies).

The horror reader.

Small book of b/w portraits by American photographer.

Stefan Marx' first major book. It contents a selection from the personal drawing diaries, combining some of the finest paper paintings and drawings with book drawings and written notes.

A new body of works: drawings realized using self-modified pocket-lamps on black&white photographic paper, reproduced in original scale on glossy paper.

The story of Aesop's The Tortoise and the Hare by Japanese graphic designer. Printed in six colors, including fluorescent yellow and pink.

Full color monograph showcasing some of Georgian-born artist's most recent collages.

Small book of b/w photographs of agricultural scenes.

This book considers the importance given today to the research for new narrative modes in artistic practices: visual arts, cinema, and literature.

This book considers the importance given today to the research for new narrative modes in artistic practices: visual arts, cinema, and literature.

A project by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

This installation juxtaposes photographs of eight “landscapes” with “soundscapess” created by French sound artists, who made a free sound interpretation based on the chosen picture and collected raw sounds.

20 epistolary short stories highlighting the spatial dimension of a specific word.

The first extensive monograph dedicated to the Korean director: moving on the edge for thirty years, Kim Ki-duk physically explored the forthcoming themes of his work as a director – wandering, escape and, especially, survival.

The first extensive monograph dedicated to the Korean director: moving on the edge for thirty years, Kim Ki-duk physically explored the forthcoming themes of his work as a director – wandering, escape and, especially, survival.