A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

The latest chapter of Eritrea-born artist Dawit L. Petros's long-term investigation of the impact of Italian colonialism and its subsequent imprint on the visual cultures, populations and built environments of Africa, Europe and North America.

First monograph of the Brazilian feminist artist.

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

64 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024, (re)arranged into 9 thematic chapters—ranging from sections on DIY and amateurism, on verbal domination, on contemporary resistance and organising efforts, and on our doomscrolling fatigue with the networked world.

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

The best of 2024: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

Residencies Reflected looks at international artist residencies with a societal and ecological mind shift.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

Tom Burr, Lizzie Fitch & Ryan Trecartin, Brett Ginsburg, Coumba Samba, Matthew Barney, Gordon Matta-Clark; Laura Orozco, Jasmine Gregory, Maren Karlson, Elaine Cameron-Weir, B. Ingrid Olson, David L. Johnson, Nina Hartmann...

Assisted suicide activists; Lebanon under the bombs; activism at the museum; Laurène Marx; prison life at Les Baumettes in Marseille; in the poetry of Laura Vazquez...

Spike is turning twenty with a special double issue.

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

An overview of the pictorial work of a leading figure on the Saudi art scene.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

A dialogue between two avant-garde figures, one poetic, the other musical.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

An overview of the vast production of the Romanian artist Radu Comșa.