An innovative analysis of our relationship to the image.

Mendini's writings 1972-2011.

Artist's book (limited edition).

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

The 2015 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

A collection of recent colored pencil drawings by artist Keegan McHargue.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

This book brings together the documentation of seven installations, produced by Corin Hewitt from 2007 up to the 2013, including preparatory sketches, process shots, exhibition documentation, and discrete photographic works. This visual mass helps understand Hewitt's practice as a continuum of interconnected actions and materializations, instances of generative discovery and contextual play.

Catalogue of the main contemporary exhibition at HOK in 2014.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.

First release by Yvan Etienne (Serge Modular, field recordings, hurdy gurdy).

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense (available in English edition).

The art/research articulation.

Improvisation as musical and political experimentation (essay).

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

The meaning of performance and performativity today.

Retrospective monograph / artist's book.

Artist's book designed by Åbäke, based on Danish artist Marie Lund's first institutional solo exhibition.

Ten years of artmaking by Martin Beck, at the intersection of art, design, architecture, and historical inquiry.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

A history of film in contemporary art (a witty critical history of artist's films and their inscription into the broader history of art, as well as their impact on their social contexts).

A graphic short-story: a trip to Afghanistan, organised by the British government, in which Anish Kapoor and Anthony Gormley are charged with building a gigantic sculpture to subdue the insurgent population...

Artist's book (each book contains 4 different types of paper handmade by the artist).

Monograph / artist's book, with a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine's approach to working, which gestures toward abstraction and improvisation, as well as three essays that investigate Valentine's process.

A rediscovery.

New monograph / artist's book.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

“Marigold and Cable” marks an indelible new phase in the trajectory of Alex Cobb's solo recordings and prior missives as Taiga Remains.

Peter Hujar, The Not-Spot by Nick Currie, The Art of (Leadership) George W. Bush by Alison Gingeras, Selfie Poetics by Andrew Durbin, Robert Heinecken, Art After the End of Art: Exhibit B by Jens Hoffmann, The Whole Earth Show Revisited by Chelsea Haines, Otobong Nkanga by Hans Ulrich Obrist, From Performance To Post-Performance by Marie Canet, Marie de Brugerolle and Catherine Wood, Whatever Happened to the Sisterhood by Jennifer Allen, Hannah Weinberger, Than Hussein Clark, James Ferraro, Sidsel Meineche Hansen, Jasper Spicero, Mario Schifano, Bunny Rogers, Phillip Zach, Jamian Juliano-Villani...

David Maljković publishes, for the first time, some excerpts of his notebooks.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

Walter Zanini, Vincent Honoré and Margarida Mendes, Jean-Max Colard, Ed Fornieles, João Mourão et Luís Silva, Jack Lavender, Rolf Nowotny, Judith Hopf, Avery Singer, Marie Angeletti, Quinn Latimer and Anne Dressen, The Still House Group...

A special edition dedicated to curating.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

Monograph / catalogue of two parallel exhibitions.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Monograph / artist's book dedicated to Davide Balula's "Burnt Paintings".

First monograph on Serbian born London based artist Djordje Ozbolt's painting, including an essay by Irish art critic and curator Caoimhín Mac Giolla Léith, as well as a conversation with Gregor Muir, Director of the Institute of Contemporary Arts in London.