Facsimile of a book of drawings made between 1979 and 2010.

Three iconic series of photographs by Juergen Teller.

Federico Pepe's Magnum opus (limited edition artist's book).

Kaleidoscope's newest release introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine's new formula combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

The reissue of the Manifesto of Futurist Musicians (written in 1911), in which the Italian composer, musicologist and ethnographer Francesco Balilla Pratella (1880-1955) explains the "violent and absolute principles" of a futuristic music which inspired Luigi Russolo's The Art of Noises.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

300 drawing by Portuguese artist Gonçalo Pena.

MacLise's early electronic music.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Collection Clémence and Didier Krzentowski (new, revised, and expanded edition in softcover.).

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

A Collector's Edition of 500 copies numbered and authorized by Maurizio Cattelan and Pierpaolo Ferrari. On the back cover of the Collector's Edition are printed the signatures of the authors.

New monograph.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

New monograph (available in English edition).

New monograph.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

First monograph, with an essay by Jacqueline Burckhardt.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

The manifesto of the network of contemporary art centers.

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

A comprehensive examination of Robert Smithson's work and creative process.

Artist's book.

First monograph.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

Limited edition accompanied by an original and unique signed artwork, hand colored comic strip box.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

Artist's book.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

Willem's satirical drawings on art.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Rethinking public space.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

A complete record.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.