For nearly thirty years, Elio Montanari has been photographing artists at work—either producing or installing their artworks in the context of major exhibitions and international events. The photographs reproduced within this publication capture with full spontaneity the working process involving artists, assistants, curators and peers.

Special issue devoted to the theme of the drawing rituals.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Special Trans-and Posthumanism Issue: curator's key by Anselm Franke, 1992's “Post Human” group show, Hans Scheirl's Dandy Dust, eating the future: a roundtable, how to become an alien, portraits of Ian Cheng, Stelarc and Hannah Perry, Bernhard Willhem on the perfect body of the future, Transformers: an essay by Bryan Droitcour, Elisa Ambrogio's music videos, Guyotat's Eden Eden Eden…

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

A typology of erasure as artistic gesture throughout the twentieth century.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Andrew Berardini journeys into the heart of the work of conceptual artist Danh Vo to discover how historical forces find form in our individual lives.

This volume gathers interviews with 25 prominent musicians focusing on the influence of spirituality in their works.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

An audio recording of the American artist performing a German folk song while masturbating.

An attempt to define the spirit of an age: exploring how today's myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant provides the reader with alternative written and drawn narratives to Shakespeare's The Merchant of Venice adopting the point of view of Jewish moneylender Shylock.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

The updated chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

New monograph.

First monograph.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

Mohamed Bourouissa, Richard Jackson, Martin Kersels, Paul McCarthy, Stéphane Maupin, Richard Prince, Rudy Ricciotti, Alain Séchas, Georges Tony Stoll, Rirkrit Tiravanija...

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

Projects, texts, visual essays and conversations with about thirty international artists, curators, critics and authors: Zoe Williams, Kynaston McShine, the exhibition as poem by Jean-Max Colard, Haim Steinbach's POP UP section investigation, visual projects by Slavs and Tatars and Puppies Puppies, Andra Ursuta, conversation between Simon Denny and Hans Ulrich Obrist, Cécile B. Evans, Emily Roysdon, Melanie Matranga...

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

This publication showcases a selection of photographs taken by the artist, over a year-long period, in second-hand shops, flea markets, antique stores and auction houses in Berlin.

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.

The role of infrastructure and logistics in today's art scene

Tony Oursler and Greil Marcus on David Bowie, Jackson Pollock's late work, the Met Breuer, Cameron Rowland, an exclusive portfolio from Rosemarie Castoro, plus Magali Reus's Top Ten, the band Porches, and exhibition reviews from New York, Berlin, Lisbon, Milan, Prague, Athens, Delhi, Mexico City, and more.

Eva Grubinger's catatogue Black Diamond Bay explores the idea of psychological landscapes—a physical or mental journey—that evokes ideas of escapism and the search for the self.

Issue #10 of Bulletins of The Serving Library comes back with a new formula and draws up an overall review of previous issues.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

Artistic and literary creations on the theme “cyborgs and robots.”

Shanghai special issue.

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).