The seventh volume of Rémy Zaugg's complete writings (1984-2004): the publication brings together texts that formulate a practice and a criticism of exhibition that goes beyond genres and mediums, using concrete projects in given architectonic situations.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

Limited edition, accompanied with an exclusive Toilet Paper satin scarf.

Collection of artists' writings on video art, which revisits and reevaluates the early days of the practice, from 1970 to 1990. Including AA Bronson, Peter Campus, Antoni Muntadas, Nam June Paik, Martha Rosler, Bill Viola, and much more.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A very cinematic improvised instrumental session by Thierry Müller (Ilitch) and Quentin Rollet.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

Originally released in 1979 on the experimental label Cramps, I Fiori del Sole is a composition for organ and piano by the Italian duo Michele Fedrigotti and Danilo Lorenzini. This is the first vinyl reissue ever.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

An examination of various forms of aesthetic practice seen through the lens of the neoliberal cultural revolution.

This publication both documents and extends Martin Beck's cycle of exhibition and residency at the Carpenter Center for the Visual Arts in Harvard. This two-year long project focused on the exhibition histories and academic pursuits of the Carpenter Center, built in 1963 by Le Corbusier.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

Artistic practices in New York's alternative art spaces (1969-1985).

A non-hierarchical selection of photographic works created over the past ten years by the Iranian artist (catalogue).

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

The interplay of literature and contemporary art.

Arcana 2 is the second volume of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. Based on the Nordic myth of Odin, this volume investigates the contemporary representation of the male body.

Produced in conjunction with two exhibitions, this monograph offers a rich critical overview of Parreno's work, with essays by Cyril Béghin, Molly Nesbit, Brian O'Doherty and Adam Thirlwell, and two interviews with Hans Ulrich Obrist and Andrea Lissoni. An invaluable research tool for studying one of the most influential and charismatic figures on the contemporary art scene.

This reader brings together American and French scholars to discuss the recent paradigmatic shifts from anthropocentric theories toward new models of realism, objectivity, and even metaphysics, occurring in the realm of contemporary art and philosophy—with the school of thought called New Existentialism as a guiding topic.

Taking the form of light and acoustic installations, video projections, slide shows, publications and photographs, the work of Meris Angioletti questions the mechanisms of perception, memory and the psyche. This first monograph devoted to the Italian artist presents an overview of her practice from the past ten years.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.