The Futures of Screen: an aesthetic and technical analysis.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

Catalogue of Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

Monograph offering a collective literary and poetic rendering of Alan Reid's works.

This book explores a range of works made between 2002 and 2016 from Nicola Tyson's sketchbook pages to large graphite drawings and giant, life-sized ink drawings.

A both poetical and political text, praising the poetic revolution of language against the current condition of the everyday life.

The first major monograph on Piffaretti: a journey through contemporary painting.

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

Berger&Berger, Anne-Lise Coste, Matias Faldbakken, Hans-Peter Feldmann, Thomas Hirschhorn, Jakob+Macfarlane, Nathalie Du Pasquier, Denis Savary, Alan Vega, Collection Jean-Hubert Martin...

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

In the October issue of Artforum: a feature on cover artist Lillian Schwartz, a portfolio by Carmen Herrera, Homi K. Bahba on William Kentridge, Chris Kraus on Julie Becker and newly published writings by Donald Judd. Plus, Nikolas Gambaroff's Top Ten and exhibition reviews from New York, Brescia, Dublin, Beirut, Sydney, and more.

A publishing survey of the diagrams produced by Ricardo Basbaum in recent years. Both autonomous pieces or elements from installations, these diagrams act as interventional tools and visual poems that connect the literary and plastic spaces.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

Élodie Lesourd's first retrospective monograph provides a complete overview of her work since 1993, highlighting her inclination toward Rock culture and hyperrealism.

Art magazines as exhibition objects and spaces.

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

The first monograph ever published on the work of Roman Stańczak: an incredible opportunity to discover the work of this influential and yet under-known artist. The publication includes an interview with Stańczak conducted by Zuzanna Hadrys & Michał Lasota and essays by Jan Verwoert, Zofia Krawiec, Łukasz Ronduda in addition to an extensive portfolio of images.

Samson Young; essays by Hendrik Folkerts, Michael Taussig, Benjamin Thorel, and Tim Griffin; Rayyane Tabet in conversation with Haegue Yang; Laura McLean-Ferris on empathy and the confessional; round-table on materialist history of exhibitions; Kishio Suga by Stuart Munro; Andrew Berardini on flowers and art; artificial creativity by John Menick; Lawrence Lek with Cécile B. Evans; Kasper Bosmans; and more.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Publication dedicated to the Versos series, in which Philippe Gronon photographs the verso side of paintings by ancient and modern masters. With a foreword by Hubert Besacier.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

Jon Rafman by Bret Schneider, Art and the machine by Anthony Huberman, Carolee Schneemann discusses 1964 Meat Joy with Vincent Honoré, Arnold Rüdlinger by Lorenzo Benedetti, a commissioned work by Guan Xiao, interviews with Ian Cheng, Athena Papadopoulos, Cayetano Ferrer, Emmanuelle Lainé, Davide Balula by Daniel S. Palmer, Matthew Linde's Centre for Style, Pilvi Takala…

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

Espace(s) #13 inaugurates the new formula of the French Space Agency's review. This issue explores the potential of the archive as a material for new artistic or literary narratives.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This second issue focuses on Jim Shaw's Californian youth between the late 1950s and the beginning of the 1970s.

A re-reading of Walter Benjamin by François Coadou, suicidal tendencies in Rock'n'roll history, Chris Marker's La Jetée, Genesis P-Orridge & Timothy Leary, Salvage Art Institute, Arnaud Labelle-Rojoux, Crammed Discs Records, interviews with Jean-Luc Verna, Jill Gasparina, Ange Leccia, Carole Douillard & Dora García…

A stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Erik Satie, the album was originally released in 1991, and is recommended for fans of Max Richter, Goldmund and Sylvain Chauveau. This first vinyl complete reissue contains the bonus track In Der Dämmerung.

Noémie Sauve, interviews with Ellen Fullman and Anne Dreyfus, “Reflexio” Section with Philip Best and Jedediah Sklower, record labels from Quebec: Ambiances Magnétiques, Collection QB and Kohlenstoff Records, Lionel Malric's new project Jiéqì, an essay by Kasper Toeplitz, music reviews…

Robert Suermondt / Denis Pondruel / SAM (Myung-Ok Han, Oan Kim, Peter Kim) / Très Traits (Silvia Bächli, Isabelle Cornaro, Adrian Ghenie, Andreas Gursky, Eugène Leroy, Roy Lichtenstein, Christopher Wool).

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

Crossing perspectives on living among screens.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo Rondinone, Diana Thater, Christian Rosa, Matali Crasset, Dyvik Kahlen Architects, Melike Kara, Roberto Cuoghi, Rachel Harrison, Kate Burkhart, Patrick Berger & Jacques Anziutti, Isa Genzken by Tobias Madison, Vanessa Place…

This issue traces the path of digital creation, from 90s Net Art to today's Post-Internet artists.

The 2016-2017 edition of most complete paper pocket guide to the art world. A selection of art events, an art fairs agenda and listings from more than 50 countries.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

A cosmopolitan post-punk compilation album, originally released in October 1985 on LTM Recordings. Featuring tracks by Section 25, The Anti-Group, Minny Pops, Tuxedomoon, Mazowsze, Eric Random, Dislocation Dance, The Happy Family, Crispy Ambulance, and A Primary Industry. With liner notes by LTM manager James Nice.

A cosmopolitan post-punk compilation album, originally released in October 1985 on LTM Recordings. Featuring tracks by Section 25, The Anti-Group, Minny Pops, Tuxedomoon, Mazowsze, Eric Random, Dislocation Dance, The Happy Family, Crispy Ambulance, and A Primary Industry. With liner notes by LTM manager James Nice.