The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Invited to forge a dialogue with the unique context of the Art Deco building of the Serralves Villa in Porto, American artist Nick Mauss created works that reflect an encounter with the social and private choreographies of the formerly grand and domestic spaces of the Villa. The catalogue includes an essay by the American author and poet, Lucy Ives and an interview with Nick Mauss, conducted by João Ribas, the exhibition's curator.

First monograph documenting a three-year research on the mineral mica that became the ground for multidisciplinary outcomes, including poems, intricate drawings, modular sculptures that form systems of display, and performances.

In this publication, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

A collection of essays focusing on the notions of invention and image in art.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

Kim West, Exhibition, Apparatus, and Media, 1963-1977 / Yann Chateigné, 1977 / Richard Parry, London, London / Lotte Arndt on Enquête sur le/notre dehors by Alejandra Riera / Peter Fischli, The Hiking Trail Around the Airport / Liam Considine on “Thinking of readymades belong to everyone®” / Giovanna Zapperi on “Show Me Your Archive” / Oleg Frolov on Tobias Kaspar / Anke Dyes on Till Megerle / Christian Haye on Juliana Huxtable / Camilla Wills on On Charges (The Supplicants) by Elfriede Jelinek / Jeanne Graff, Clifton Clifton.

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

The conclusion of Saloman's musical trilogy for contemporary dance, this time inspired by a work by choreographer Vanessa Goodman. The bowed guitar, militant percussion and searing guitar eruptions, are joined by distorted guitar, minimalist piano attacks, melancholy guitar melodies, a patina of harsh noise, and a more contemporary approach to drums and bass. (download code included with one additional track).

Double album compiling all 3 volumes of the Movement Building serie, dedicated to Gabriel Saloman's music for contemporary dance.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Never before released soundtrack of the film Rock directed by Michel Treguer, composed in 1982 by Bernard Parmegiani (remastered from the original master tapes, with exclusive liner notes).

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

This catalogue brings together international artists and theorists to reflect upon conditions surrounding female artistic, theoretical and institutional practices and contemporary gender studies within the changing landscape of biopolitics affected by the digital economy and social change.

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

Appetite for the Magnificent is a photographic and essayistic exploration of the history and present-day world of the aquarium. The contribution by David and Tania Willen tackles the aesthetic dimension of Swiss present-day aquariums, while Jörg Scheller's essay on naturalist Philip Henry Gosse retraces the evolution of the aquarium at the interface between art, science and religion...

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

This manual of aesthetics, tinted with humour, provides the key to a happy existence through the unexpected combination of the philosophies of Buddha and Nietzsche.

Published on the occasion of the 250th anniversary of the foundation of The French National School for Decorative Arts, this catalogue documents and expands a unique project built around a workshop gathering former and actual students, and an extraordinary exhibition of 250 posters in the Paris metro.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

For three years Rico Scagliola and Michael Meier have been taking candid photographs of people from all walks of life and of every age in public and semi-public urban spaces: on streets and city squares, in cafés and bars, train stations and airports, stores and shopping centers. Combined with genuine words taken from the internet or heard in the street, this photographic series is a comédie humaine of the present day and age.

This luxurious, silk-bound limited edition in a brushed aluminum box set presents highlights from Sugimoto’s Theaters series.

First artist's book: 25 poetic notes on love written on a memorandum.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

Artforum looks at Russia and the Art of Revolution: A century after the Soviet uprising of October 1917, Matthew S. Witkovsky, Devin Fore, and Owen Hatherley look back—and forward—at the fate of radical culture, utopia, and politics; architect David Adjaye talks about design, culture, and society; Ina Blom on Ed Atkins and the science of weather simulation; and more.

Cura's new issue connects the different sections with one common thread: the machine as a possibility or as a threat. The magazine also extends its “Inside the Cover” section with three essays on this issue's cover artist, Max Hooper Schneider. Plus: Sam Lewitt on Michael Asher's 1991 exhibition at Le Consortium in Dijon ; interviews with John Bock, Korakrit Arunanondchai, Kenric McDowell, Bailey Scieszka ; David Horvitz in conversation with Margot Norton ; Nicolas Deshayes' sculptures ; Pakui Hardware ; Haroon Mirza's visual essay ; Bruno Zhu…

In 1961, L'Illustrazione Italiana sends critic Giorgio Zampa and photographer Ugo Mulas to carry out a reportage in Denmark. Along their meetings with writer Karen Blixen or Nobel Prize Nils Bohr, the two correspondents also witness the new manifestations of the Scandinavian lifestyle, characterized by its design and its modern habitats.

Mark Thomas Gibson questions the long-lost quest for utopia in the USA through a narrative that brings together the high and low visual languages of painting and comics.

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

This issue explores the vast regions of lightness with an ensemble of textual and visual contributions by artists, historians, scientifics, and writers.

Mimicking the codes of fashion magazines, this artists' review gathers contributions reflecting on the aspects of memory and time in clothing.

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujirō Ozu.

Interviews with Frieda Toranzo Jaeger, Rana Hamadeh, Aria Dean, Barbara Chase-Riboud, Beatriz Santiago Muñoz, Lin Ke, Yasunao Tone, Timothée Calame, Sara Deraedt; round-table on the relations between art, dance, and theater; Yann Chateigné's notes on time; Kathy Noble on institutional trauma; Jens Hoffmann, Candice Hopkins, Chus Martínez, and Ingo Niermann on issues related to cultural appropriation; Sofia Stevi by Andrew Berardini; conversation with Liz Craft and Stanya Kahn; the use of augmented reality in arts; round-table on performance studies; Hendrik Folkerts on monumentalization.