A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

The long-awaited new edition of the breathtaking oeuvre of Francesco Messina and Raul Lovisoni originally published in 1979 by the legendary Gianni Sassi's Cramps Records label, openly inspired to the unfinished metaphysical novel "Le Mont Analogue" by the French writer René Daumal.

Sun-blasted organ music from Australia.

Artist's book.

A series of plays (independent of each other) that all refer to a scene from Greek mythology.

An improvised piano solo, dense and furious.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

Mapping the practices of performative cinema today.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

First vinyl re-release of an essential record from Loren Connors' acoustic period.

A collection of texts written by patients of a hospital center, following photographs taken by the artist Richard Louvet.

The portfolio of the exhibition at the Jeu de Paume.

The portfolio of the exhibition at the Jeu de Paume.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari's practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari's teaching and influence by a group of the artist's former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler.

This artist's book is a documentation of the production, installation, and decomposition of Samara Scottis solo exhibition “Silk at Eastside Projects”, Birmingham, in 2015. For the project, Scott gathered materials such as eyeshadow, cistern block, tapioca, pipe-cleaners, scented candles, graphite, mustard, solar reflective roofing paint, aquarium gravel, and red wine, among others.

This artist's book collects a photo series taken in spring 2017 in Myanmar, one of the Buddhism's sacred places, where one hundred or so temples have been destroyed by a recent earthquake. Now the pagodas affected by the earthquake, covered by thin bamboo structures, have taken original and unexpected forms, hanging between architecture and art, life and destruction. This temporary condition allowed Isola to catalogue, study and also to develop a sort of appropriation.

Anniversary monograph celebrating the twenty-year activity of the label Optical Sound and its founder Pierre Beloüin: this anthological publication traces twenty years of activity at the intersection of experimental music and contemporary art, featuring unpublished documents and exhibitions views, an insert, as well as critical texts and interviews.

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

This book is a reinterpretation of the classic children's picture book by English Author and Illustrator John Burningham from 1979, illustrating the preference game “Would you rather”… With enchanting drawings made out of sand by Carolina Cerbaro.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

Best of 2017: A renowned group of critics, artists, and curators from around the world take stock of the year in art, and of art's place amid social, judicial, political, and ecological shifts; Five celebrated cineasts select the top films of the year; Five musicians and artists name their music highlights of the year; Seven scholars, curators, writers, and artists choose the year's outstanding titles; 40 artists from around the world choose the most striking work, event, or exhibition of the year…

Interviews with Lucy Dodd (by Rashid Johnson), Cate Giordano, Celeste Dupuy-Spencer, Jlin, Branden Jacobs-Jenkins, Milford Graves, Meredith Monk and Jim Hodges, Don Mee Choi and Christian Hawkey, Friederike Mayröcker; portfolio by Laura Bruce; fictions by Klaus Kertess, Wendy Xu, Pierre Senges, Constance DeJong; an essay by Nuar Alsadir, and more.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.

This artist's book presents a set of photographs made by Belgian artist Sophie Nys during her stay in Zurich. It features each of the modernist fountains produced by designer Alfred Aebersold in the 1970s and scattered throughout the Swiss city. The images are associated with amusing and clever captions written by Leila Peacock, a Scottish artist living in Zurich.

These recordings are the outcome of sound experiments performed at the wind tunnel laboratory at Zurich University of the Arts. Accompanied by photographs and a video project by Yan Junjie.

Collective study dedicated to the founder of Lettrism Isidore Isou.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

Interview with P. Nicolas Ledoux and Pierre Beloüin on the occasion of Optical Sound's twenthieth anniversary; Hubert Selby Jr.; the discography of Etant donnés; a special section dedicated to Marjorie Cameron…

This new edition of “Panorama” celebrates the 20th anniversary of Le Fresnoy. Showcasing the various works produced by students and invited artists-professors, the program is curated this year by Jean de Loisy. In this catalogue, writer-in-residence Yannick Haenel draws a narrative thread through the fifty works exhibited, like a novel.

A collection of transdisciplinary essays considering the recently renewed interest for the concept of density in both architecture and artistic research.

Charlotte Moorman by Deborah Walker; manifesto for a 21th century avant-garde music by Ulrich Krieger; Ulrich Krieger by Kasper T. Toeplitz ; Ring-Modulation #24: “From idea to sound;” photographic series by Marie Combes; disc reviews, and more.

This publication documents a previously unreleased video project by Canarezza & Coro inspired by poet Eugenio Montale's unusual walk across the Italy-San Marino border to receive a Literature Prize in a context of tensions between the two States. The volume also includes fragments of forty-seven poems by Eugenio Montale, modified by the two artists.

An extraordinary publication gathering a selection of stock images and original photographs drawn from the myriad ads for drug sales on the dark web designed to catch the consumer's eye. These photographs are invisible under normal light: printed in invisible ink, they can only be viewed under ultraviolet light (the publication includes a mini flashlight).

The first monograph dedicated to Nicolas Milhé highlights the aesthetic and political concerns of his work through two series of works that question the formal and symbolic vocabularies of the Republic. With texts by historian Olivier Christin, architect Eric Lapierre, and musician Julien Perez.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Catalogue celebrating the first European retrospective of the artist and pedagogue Beatriz González: the publication explores 50 years of plural and polymorphic work, inspired by the historical and cultural realities of Colombia. It features a rich selection of images and a critical apparatus which explores the artist's career while revealing the contemporaneity of her work.

This artist's book is based on an Adirondack furniture book donated to Philippe Weisbecker 20 years ago by a New York friend who worked in a hardware store.