First comprehensive monograph on British experimental filmmaker Ben Rivers.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

Restored manuscript from the composer, historical documentation about the 1971 acousmatic work & genesis.

Following a thread, from string figures though algorithms.

Cross-continental tape exorcisms.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

Texte 3 is another pictureless book by Beni Bischof, printed in standard pocket size. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

A collection of amateur photographs selected from more than ten thousand digital photos retrieved from found SD cards.

A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

The long-awaited new edition of the breathtaking oeuvre of Francesco Messina and Raul Lovisoni originally published in 1979 by the legendary Gianni Sassi's Cramps Records label, openly inspired to the unfinished metaphysical novel "Le Mont Analogue" by the French writer René Daumal.

Sun-blasted organ music from Australia.

Artist's book.

A series of plays (independent of each other) that all refer to a scene from Greek mythology.

An improvised piano solo, dense and furious.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

Mapping the practices of performative cinema today.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

First vinyl re-release of an essential record from Loren Connors' acoustic period.

A collection of texts written by patients of a hospital center, following photographs taken by the artist Richard Louvet.

The portfolio of the exhibition at the Jeu de Paume.

The portfolio of the exhibition at the Jeu de Paume.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari's practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari's teaching and influence by a group of the artist's former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler.

This artist's book is a documentation of the production, installation, and decomposition of Samara Scottis solo exhibition “Silk at Eastside Projects”, Birmingham, in 2015. For the project, Scott gathered materials such as eyeshadow, cistern block, tapioca, pipe-cleaners, scented candles, graphite, mustard, solar reflective roofing paint, aquarium gravel, and red wine, among others.

This artist's book collects a photo series taken in spring 2017 in Myanmar, one of the Buddhism's sacred places, where one hundred or so temples have been destroyed by a recent earthquake. Now the pagodas affected by the earthquake, covered by thin bamboo structures, have taken original and unexpected forms, hanging between architecture and art, life and destruction. This temporary condition allowed Isola to catalogue, study and also to develop a sort of appropriation.

Anniversary monograph celebrating the twenty-year activity of the label Optical Sound and its founder Pierre Beloüin: this anthological publication traces twenty years of activity at the intersection of experimental music and contemporary art, featuring unpublished documents and exhibitions views, an insert, as well as critical texts and interviews.

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

This book is a reinterpretation of the classic children's picture book by English Author and Illustrator John Burningham from 1979, illustrating the preference game “Would you rather”… With enchanting drawings made out of sand by Carolina Cerbaro.