The catalogue of the 13th edition of the Baltic Triennial which takes place in three venues: Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. The publication includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

In a corrupt town of North England shortly before Thatcher, a group of kids sets a “white noise” insurgency to try and save the city. A disturbing and captivating novel.

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

Reference monograph.

Reference monograph.

Bettina Funcke on how appropriation became cultural appropriation; Mary Flanagan on the history of Virtual Reality art since the cave paintings; Pablo Baler on Bio-Politics, Bio-Tech, Bio-Art and Bio-Fiction; James Gill on the death of subculture in the 21st century; image spreads by artist David Mramor and microdosing pioneer Paul Austin, plus much more.

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

Edgar Varese, Francois Tusques, Tristan Tzara, Thomas Bonvalet, Nick Cave, interview with saxophonist Harutaka Mochizuki by Guillaume Belhomme, 90 book and music reviews.

The Toguna is a collective work co-created by craftsmen and visual artists, a space of conviviality and sharing in the heart of the Palais de Tokyo. This publication follows the project's genesis through texts and images, and addresses the questions raised by the collaboration between craftsmen and artists.

Illustrator Soufiane Ababri; novelist Fanny Taillandier; a critic of the Anthropocene by historian Jean-Baptiste Fressoz; interviews with Lav Diaz and Gurshad Shaheman; models' rights advocacy organization Model Law; on the back side of Naoshima; dubbing in Quebec; Arles and the money issue; portraits of Maud le Pladec and Èlg; Portfolios of Marie Valognes, Mimosa Echard, Louis Canadas & Theophile Hermand; Gabriel Gauthier's poetry; chronicles and diary.

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

Set behind the scenes of Badlands Unlimited, an artist-run, New York-based publishing company, this three- act play follows the characters as they launch an erotic novella, deal with internal conflicts, and imagine the promise and threat of technology between the pages and in our lives. Badlands Unlimited is a comedy of errors that morphs into a deeper meditation on art and mortality.

A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

The diary of an insomnia.

Text transcript of the speech given by Evan Parker in May 1992 in Rotterdam as part of a series of concerts on the theme “Man & Machine.” Dedicated to Buschi Niebergall, De Motu brings a fascinating insight into the art of the British saxophonist.

Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

The first issue of the “perpetual catalog” of Le Consortium, at the dawn of the fifth decade of the art center.

Interdisciplinary study gathering critical essays and visual contributions attempting to rethink environmental aesthetics beyond the idea of landscape.

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

Special offer for the purchase of the two volumes of the retrospective catalogue of Le Consortium contemporary art center.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

Acclaimed for his dark depiction of the American suburbs, painter Eric Fischl sometimes positions artworks within his compositions as symbolic elements. This thematic catalogue brings them together, including more than 120 painting reproductions, and an interview with the artist by Dallas Contemporary Museum director Peter Doroshenko.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

Photographer Olivier Degorce brings together a series of fridge photographs shot from 1993 to 2017: Beyond the obsessive nature of the project lies the sheer diversity of individual eating habits in the form of contemporary still lifes.

This publication explores the fascinating world of Franco-Swedish artist Rebecka Tollens: Inspired by her own dreams, these lead pencil drawings conjure a troubled atmosphere intermingling themes of Nordic mysticism, sorority and childhood. The publication highlights a series devoted to the Sami people from the Far North.

A visual tour de force (artist's book).

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

This monograph presents a collection of texts and critical essays taking the form of an alphabet primer. Twelve art critics, curators or writers chose a keyword as starting point to write a commentary on Boris Achour's practice. The publication also includes an iconographic documentation offering an overview of the artist's works.

The importance of Gordon Matta-Clark's work in a revaluation of architecture after modernism.

In this lecture, creative director Virgil Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling.

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

The use of the “Other Body” in Performance art and Contemporary Art.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

Art Basel's 2017 official annual publication.

This collective publication discusses the renewed encounter between dance and performance and the institutions of global contemporary art, marking one of the most significant set of developments in the art field over the last decade.